Decline? Yes. Collapse? No.

Decline? Yes. Collapse? No. Collapse would mean CIA spooks scribbling op-eds on Substack and hawking $10-a-month subscriptions like two-bit grifters at a carnival sideshow. The agency boys in their ill-fitting suits, slumped in coffee shops from Langley to Lincoln, churning out think pieces titled “The Death of American Empire: A Personal Journey” or “How I Lost My Clearance and Found Myself.” Picture it: operatives reduced to grinding out conspiracy-laden screeds for an audience of doom-scrolling paranoids, trading cryptic tips on counter-espionage for thumbs-up emojis.

This isn’t a collapse. It’s a slow, shambling descent into mediocrity—less Rome burning and more Rome outsourcing its fire brigade to a Silicon Valley startup promising AI-enhanced water buckets. The spooks wouldn’t vanish into the ether, oh no. They’d pivot. A little less covert action, a little more hustle culture. “Learn how to stage a coup and build your personal brand!” The kind of moral rot that isn’t dramatic, but banal. Bureaucratic.

And that’s how the empire falls—not with a bang, but with a LinkedIn post: “Former clandestine operative seeking new opportunities. Skills include psychological warfare, asset recruitment, and SEO optimization.”

Decline? Yes. Collapse? No. Collapse would mean Goldman Sachs executives ditching their bespoke suits for hoodies and baseball caps, launching NFT collections called Bond Ape Yacht Club and hyping memecoins like GoldenBoiCoin on Twitter Spaces at 3 a.m. It would mean the masters of the universe pivoting to online casinos, hawking sketchy roulette apps with slogans like “Double or Nothing, Baby!” and adopting bizarre Keke Palmer-inspired influencer personas to stay relevant.

Picture it: Lloyd Blankfein rebranded as “CryptoDaddy420,” hosting live streams where he explains fractional reserve banking while doing TikTok dances. Or David Solomon, no longer DJ-ing for private equity parties, but spinning tracks for a metaverse nightclub called Liquidity Trap, offering free “SolomonCoins” with every overpriced cocktail.

Collapse is when Goldman Sachs stops building empires and starts building virtual slot machines, where every spin is a bet against their old dignity. It’s the high-finance sharks rebranding themselves as meme lords, desperately slapping doge faces on dollar signs and posting thirst traps on Instagram to pump the latest Ponzi. Collapse is when the titans of Wall Street get stuck hustling to pay off their own margin calls, swiping right on venture capitalists and pitching “decentralized financial synergy platforms” to crowds of indifferent day traders.

Decline, though? Decline is where we’re at now—Goldman still has its hands on the levers, still squeezing the juice out of the system, but you can see the cracks forming. Collapse is when the juice runs out, and they’re left hawking virtual blackjack in some dystopian e-casino, chanting “to the moon” like the rest of the rubes.

Decline? Yes. Collapse? No.

Collapse is when Hollywood’s not just phoning it in anymore, it’s mainlining pure, uncut digital sewage straight into the veins of the American consciousness. It’s become a goddamn content farm, a festering pustule of spin-offs and reality TV simulacra churning out mountains of digital excrement that’s no longer art, no longer entertainment, no longer even remotely recognizable as storytelling. It’s the Ouroboros on a bad acid trip, devouring its own tail for profit until there’s nothing left but a greasy stain on the digital carpet.

Decline? That’s some half-assed Transformers sequel. Collapse? That’s Hollywood turning into a goddamn NFT vending machine, it’s movies nothing more than flickering delivery systems for monetized absurdity. Imagine Star Wars: Ewok Influencers. Christ on a crutch, what a nightmare. A show designed solely to sell digital skins and loot boxes in some Fortnite-style digital shooting gallery. It’s not entertainment, it’s a goddamn transaction. A digital fleecing.

And then there’s the final, ignominious surrender: the abandonment of film itself. Hollywood shuffles off into the digital void, embracing virtual reality and interactive gaming, ditching those “old-fashioned” movies because they’re too damn difficult to monetize effectively. The focus shifts entirely to endless monetization schemes—pay-to-win models, microtransactions embedded in the goddamn content itself. You don’t watch The Avengers: Cash Grab Chronicles; you pay five bucks every time Iron Man wants to throw a goddamn punch. It’s a digital bloodletting.

Even the projects greenlit for nostalgia or marketability become self-aware cash grabs, openly mocking the audience’s pathetic willingness to consume this digital garbage. Jurassic Park 12: Dinosaurs on Mars. No plot. Just dinosaurs, explosions, and random celebrity cameos, marketed as “The ultimate cinematic experience for our ADHD era!” It’s a goddamn insult. A digital middle finger to the remnants of taste.

PAC Memo

Internal Memo

To: PAC Strategy Committee

From: Funding Allocation Team

Subject: Maximizing Value from “Independent” Thinkers

Team,

In our ongoing mission to counter the dirtbag left’s narrative, it’s critical that we double down on funding independent thinkers like [Deleted Name] and [Deleted Name]. These two have perfected the delicate art of looking like they’re just quirky, self-made intellectuals while faithfully delivering our talking points to the masses. This is no small feat, and we need to make sure the appearance of their independence remains intact. After all, people are far more likely to trust someone who looks like a contrarian freelancer than a corporate mouthpiece.

Here’s our action plan for ensuring they continue to be the useful assets they are:

1. Substack Support and Bot Department Coordination

The importance of perceived influence cannot be overstated. When readers visit their Substacks, the first thing they look at is follower counts. It is imperative that our bot department maintains robust subscriber numbers across all platforms. We cannot afford for their “independent” brands to appear less popular than the influencers they routinely dismiss. A high follower count gives their words weight—because as everyone knows, a few extra zeroes turn a hot take into gospel.

Additionally, bots can boost engagement by liking, sharing, and reposting key articles. This will ensure that when [Deleted Name] pens his next defense of “how military contractors are actually environmental heroes” or when [Deleted Name] proclaims that “carbon credits are the new civil rights,” their articles dominate the conversation.

2. Talking Points for Maximum Value

We need to ensure that their writing stays fresh and reflects the issues that matter most to us—and by “us,” I mean anyone who can afford to keep the lights on in this PAC. Below is an updated list of topics they should sprinkle into their essays, podcasts, and Substack dispatches:

1. Seed Oils Are Good, Actually: Counter the dirtbag left’s ridiculous fear-mongering about seed oils. Let’s reframe these oils as not just good for you but essential for sustainable agriculture. Bonus points if they manage to link this to climate resilience.

2. Military Contractors as Environmental Pioneers: Encourage Raytheon, Lockheed Martin, and others to adopt “green” language, and make sure our thinkers amplify it. From solar-powered drones to carbon-neutral missiles, it’s vital to frame defense contractors as global saviors—not just war profiteers.

3. Oil Is the Real Green Energy: Nothing says innovation like repackaging fossil fuels as part of a “sustainable future.” Our thinkers need to hit this point hard. Say things like, “The problem isn’t oil—it’s our inability to recognize its versatility in a changing climate.”

4. Tax Breaks for Tech Bros Save Democracy: Paint billionaire-friendly policies as essential for innovation and democracy. Sure, the public might see this as a handout, but we know better: every Tesla bought is one more step toward freedom.

5. Endless Wars as Moral Imperative: Frame U.S. interventionism as the only path to human rights abroad. Afghanistan may have been a PR mess, but [Deleted Name] and Matt can help remind everyone that “pulling out was the real crime.”

6. Meat Is for Cavemen, Bugs Are for Progressives: Encourage alternative proteins. Nothing enrages conservatives or energizes centrists more than convincing everyone to trade steak for crickets. It’s a great way to split the base while making us look forward-thinking.

7. Cancel Culture Is Worse than Poverty: Shift focus from economic inequality to the real crisis: comedians being criticized on Twitter. [Deleted Name] and Matt need to hammer this point relentlessly—after all, nobody wants to discuss tax hikes when there’s a canceled Netflix special to dissect.

8. Amazon as Labor’s Best Friend: Get them to spin union-busting as “protecting workers from themselves.” A few well-placed pieces about how collective bargaining is outdated could really boost Bezos’ approval ratings.

9. Student Loans Are an Investment in Character: Why forgive loans when you can frame debt as a moral teacher? Let’s remind people that struggle builds character, and universities shouldn’t be giving out diplomas—they should be handing out lessons in personal responsibility.

10. AI Is Freedom, Not Surveillance: When it comes to surveillance tech, pivot the narrative. Instead of framing it as invasive, highlight how it “saves lives,” “prevents crime,” or “frees up human potential for creative work.”

11. Rethink Medicare for All—Do We Need It?: A subtle nudge to suggest that privatization isn’t the devil. Frame public healthcare as inefficient and expensive (without mentioning how we profit from it).

12. Guns for Women’s Liberation: A fresh take on Second Amendment rights. What if guns aren’t just for rednecks but for feminist empowerment? Tie this one to self-defense in unsafe urban areas.

3. Maintaining the Illusion of Independence

This is where it gets tricky. We need [Deleted Name] and [Deleted Name] to hit all these points without looking like they’ve been handed a script. The key is subtlety. They should blend our talking points with their usual pseudo-intellectual word salads about macroeconomics or housing policy. If anyone accuses them of parroting corporate interests, their rebuttal must be swift and smug: “I only answer to the data.”

It’s also important that their public statements appear to contradict our interests from time to time. A little light criticism keeps them looking impartial. Think of it like seasoning: just a pinch of anti-corporate rhetoric is enough to keep their followers convinced they’re the real deal.

4. Budget Allocation

Let’s earmark $2 million this quarter for these efforts:

• $1 million for direct transfers to their accounts (label it “consulting fees” or “thought leadership grants”).

• $500,000 for bot-driven follower boosts and engagement metrics.

• $250,000 for targeted ad campaigns highlighting their best-performing posts.

• $250,000 for contingency funds—just in case one of them goes off-script and we need a PR fire extinguisher.

Conclusion

[Deleted Name] and [Deleted Name] are the crown jewels of our independent influencer strategy. Their ability to look unbought while delivering our messaging is worth every penny. With the right funding, guidance, and a little bot-driven magic, we can ensure they remain the voices of reason in a world that desperately needs someone to tell it why oil companies are the heroes we never knew we had.

Let’s keep this operation running smoothly. Remember: perception is everything, and as long as they keep looking independent, the public will believe every word they say.

Best,

PAC Strategy Coordination

The Art of Writing

The Business of Being Read

There’s a new breed of prose jockey out there, and they’re hell-bent on cornering the market on words. They’re not journalists, not novelists, not even the rugged, chain-smoking bloggers of yesteryear—no, they’re Substackers. These digital scribes have proclaimed themselves the saviors of the written word, promising to deliver insights, frameworks, and hot takes straight to your inbox for the price of a good cocktail.

Once upon a time, this might’ve been honorable work. Blogging, in its golden age, was a noble art—a little like monastic illumination but done in dim apartments lit by the glow of WordPress dashboards. Bloggers weren’t writers in the traditional sense, but they didn’t pretend to be. They were diarists, documentarians of the internet’s wild frontier, their posts a patchwork quilt of hyperlinks, personal reflections, and the occasional bit of hard-won wisdom.

Substack, though, isn’t that. Substack is blogging’s glossier, monetized cousin, surgically stripped of its raw sincerity. What’s left is a sleek, hyper-optimized machine for delivering content to an audience with the attention span of a caffeinated squirrel. And worse, it’s staffed by a rising class of writers—if you can call them that—who are less interested in storytelling and more interested in audience segmentation.

Substackers, for all their hustle and sleek monetization, are creatures of a very specific economic moment—an era shaped by zero-interest rate policies (ZIRP). These policies didn’t just pump cheap money into the market; they pumped cheap ambition into the creative class. Substack, with its endless pitches of “monetize your expertise” and “build your personal brand,” is a direct product of this environment. It thrives on the promise of easy gains and perpetual growth, much like the tech startups that funded their early days in a world where borrowing money cost next to nothing.

Readers

Ah, the upward mobile soon to be precarietat—those fine, well-dressed souls clinging desperately to the illusion that they’re not the ones who planted the seeds of their own destruction. You see, they’ve become addicted to distractions, quick talking points, and hot takes served up like fast food for the mind. Anything to keep them from acknowledging that their entire existence—your overpriced avocado toast, their weekend getaways to Napa, that smug “I’m voting for change” bumper sticker on the Tesla—has been built on a shaky foundation of capital, exploitation, and outright greed. They don’t want to hear about it. They don’t want to know about it. So, instead, they’ll gobble down whatever shallow nonsense they can find to soothe the gnawing panic that, deep down, they know the whole thing’s about to come crashing down.

And that’s where the optimizers come in. The Substack hustlers, the life coaches, the “CEO advisors” who churn out perfectly polished, 400-word pep talks designed to keep these over-extended mortgage-repaying rich folks just distracted enough to maintain the illusion that their wealth came from hard work rather than decades of unsustainable profiteering. They don’t care if it’s garbage—so long as it’s a neat, digestible pile of pseudo-insight that fits nicely in an inbox and doesn’t require any of that pesky “thinking” thing. It’s not about substance; it’s about keeping the show going, making sure the masses stay just uninformed enough to keep forking over the cash while the whole system spirals into the abyss. Exactly. And that’s what Substack is for. It’s the modern-day opiate for the overextended bourgeoisie, a perfectly curated digital cocktail of distractions and feel-good nonsense, tailored to make them feel like they’re doing something meaningful while they continue to scroll past their mounting existential dread. Forget about digging into uncomfortable truths or examining the crumbling world around them. No, no—Substack is here to give them their “daily dose” of self-assured, bland wisdom from people who’ve figured out exactly what the 1% wants to hear and will happily cash in on it.

The Substack Dream

The archetypal Substacker dreams of one thing: scaling. They aren’t slaving over the next great American novel or chiseling a piece of poetry from the rough marble of the soul. No, their mission is to “grow the list,” optimize their opening lines for “click-through rates,” and get retweeted by the tech elite. They don’t write for people; they write for personas, those mythical creatures conjured by marketing guides and UX design blogs.

Substackers live for the dopamine hit of a paid subscriber. They obsess over their analytics dashboards like hedge fund managers tracking portfolio performance. Their prose? Slick, digestible, and painfully useful. These people don’t want to write War and Peace—they want to write Five Leadership Lessons from Napoleon You Can Use Today.

The Rise of the Optimizers

Armed with Substack newsletters, SEO manuals, and the smug certainty that they were here to save writing from itself. “Save” it? These people wouldn’t know a sonnet from a spreadsheet, yet they’ve somehow rebranded themselves as the necessary custodians of modern prose. Their mission isn’t to create art but to churn out content—neatly packaged, hyper-relevant, and optimized for the attention span of a fruit fly.

They dissect language like surgeons performing unnecessary amputations, shaving off complexity, nuance, and soul. Metaphors are “inefficient,” humor is “distracting,” and anything that requires a second reading is deemed a failure.

These are the optimizers—slick, well-coiffed peddlers of bite-sized takeaways, selling the illusion that if you just “optimize” your mindset, your habits, your morning routine, you’ll magically rise above the chaos you’ve helped create. They’re the digital equivalent of snake oil salesmen, except instead of curing disease, they’re curing guilt. Want to feel better about the fact that your wealth is built on an ever-expanding pyramid of exploitation? Just read a couple of motivational articles about how it’s all about mindset and how the future is “now,” delivered with a splash of minimalist design and a dash of faux-wisdom. Substack isn’t a place for writing; it’s a glorified Band-Aid, stapled over the hemorrhaging truth that these folks have been living the good life on borrowed time—and eventually, someone’s going to come collecting. But until then, Substack’s here to keep the game going.

The Corporate Delusion

The Optimizer’s wet dream is to be noticed by a CEO who totally gets it. They fantasize about writing pithy insights about productivity and “taking ownership” that will one day grace the margins of a Silicon Valley PowerPoint. Their ladder to greatness involves being retweeted by Naval Ravikant or having their wisdom cited in Forbes.

Meanwhile, they scoff at the Writers. “Who has time for all that?” they ask, referring to the kind of painstaking craft that involves grappling with sentences for hours or inventing phrases no one will appreciate until 2043. Optimizers view this as indulgent, naive. They imagine themselves pragmatic revolutionaries, clearing the literary forest for “value-driven” saplings that yield immediate ROI.

The Crime Against the Future

But here’s the rub: Optimizers don’t write for the future because they don’t believe in the future. Their world ends at the quarterly report or the latest growth hack. Writers, by contrast, know that good writing is often unread for decades, if not centuries. They know that planting an idea in words is an act of defiance against the fleeting nature of existence. That it’s worth it even if only one person reads it and understands. Optimizers live for the now, not the long arc of history. Their prose is disposable, written to die in the inbox of someone who skimmed the first paragraph before opening TikTok. The art of writing is being replaced with the business of “being read,” and the irony is that nothing written by an Optimizer will ever truly matter.

It’s not that writers don’t like money or fame or recognition—of course they do. Who wouldn’t want their name lit up in marquee letters or their bank account fattened by royalties? These things are intoxicating, seductive even, and any writer who denies their appeal is lying or has already gotten too much of them to care. But here’s the truth: however important those things may be, they are not the main act. They are the sideshow, the after-party. The main act is the writing itself—messy, maddening, glorious writing.

For real writers, the process of writing is all-consuming. It’s the thing that swallows hours, days, sometimes years, without offering a guarantee of fame or fortune on the other side. Writing demands more than just labor; it demands time. Time to think, to wrestle with ideas, to chase sentences down blind alleys and drag them back kicking and screaming. Fame and money, if they come, are mere by-products of that slow, agonizing process. Writers don’t reject them—they just know that chasing them directly is like planting a tree and expecting fruit the next morning. The fruit, if it grows at all, takes its own damn time.

Writers as a Problem

“Real” Writers—the kind who’d claw their way out of their graves for the chance to revise a half-finished sentence—don’t fare well in this brave new world. Substackers dismiss them as anachronisms, too preoccupied with literary flourishes and slow-burning ideas to survive in an inbox-driven economy.

“Who has time for that?” the Substacker sneers. “Nobody wants to read your dense prose that won’t even be relevant for twenty years.” They say this, of course, while furiously threading tweets on “how to write for busy executives.”

Irrelevance is sometimes the whole point of writing because great ideas often begin their lives as outcasts, misunderstood or ignored by the present moment. Writers know this. They understand that the act of writing is not always about catering to the zeitgeist, but about resisting it—about planting seeds in the soil of irrelevance, seeds that may not sprout for decades. To write something meaningful, you sometimes have to accept that the world isn’t ready for it yet, that it might sit unread, unappreciated, or even mocked. That’s not failure. That’s patience.

In many ways, irrelevance is a test of endurance. Writing that is too tied to the moment—the kind of optimized, click-driven work that Substackers churn out by the gigabyte—might thrive today, but it’s also likely to expire with the next algorithm update. Truly ambitious writing, on the other hand, aims to transcend its time. It’s a message in a bottle, sent out into the unknown in the hope that someone, somewhere, someday will crack it open and understand. Writing is a gamble on the future, and irrelevance is the price you pay to play. For the writer, that’s not just acceptable; it’s essential.

Cycles

But here’s the thing about zero-interest bubbles: they don’t last. As interest rates rise and capital tightens, all that speculative froth—Substack included—will start evaporating. Those shiny subscriber counts and meticulously groomed email lists are going to start blowing up like supernovas, spectacular and short-lived. The hard truth is that writing tied so tightly to economic cycles has a shelf life. When the money dries up, what’s left? For most of these Substackers, not much. Writing for algorithms and growth metrics leaves no foundation, no lasting mark. It’s the kind of work that dies the moment the machine stops feeding it.

.