Category: MUSIC IN PHASE SPACE

  • Stargate

    Ah, yes, the Stargate project—an allegory for the present moment, a monument to the madness of techno-optimism, with its endless stream of corporate behemoths like SoftBank, Oracle, Microsoft, NVIDIA, and others all rubbing their hands together in glee. It’s as if we’ve entered a dystopian remake of the 1994 Stargate film, this time with some…

  • Survivor’s Guilt

    As I was watching Los Angeles burn last week, I felt a deep, unshakeable crumminess. The flames seemed to carry with them a weight of history, of loss, and of survival itself. It was in that moment that the last few Paul McCartney albums I had been listening to—albums I hadn’t given much thought to—suddenly…

  • Extras

    Ah, cryptography! It’s like Andy Millman in Extras, no? At first, it presents itself as this pure, untouchable ideal—a bastion of privacy and individuality in a world determined to collapse all boundaries. It says, “No! I will not compromise!” But what happens? Reality intrudes. And what is reality if not the persistent erosion of the…

  • Watching Miami Vice with the Ghost of Ronald Reagan at Midnight

    There he was, the Gipper himself, grinning like a Cheshire cat fresh out of Hell, sitting cross-legged on the couch, a fog of spectral smugness curling around him. On the screen, Crockett and Tubbs were locked in a neon-soaked cocaine bust, their pastel suits radiant under the glow of South Beach debauchery. Somewhere in the…

  • Decline? Yes. Collapse? No.

    Decline? Yes. Collapse? No. Collapse would mean CIA spooks scribbling op-eds on Substack and hawking $10-a-month subscriptions like two-bit grifters at a carnival sideshow. The agency boys in their ill-fitting suits, slumped in coffee shops from Langley to Lincoln, churning out think pieces titled “The Death of American Empire: A Personal Journey” or “How I…

  • The Subscription Economy

    The shift from acquisition to subscription models has changed more than just how we acquire goods and services—it’s reshaping our relationship with time, identity, and even culture itself. Acquisition, traditionally seen as the ultimate form of possession, is a finite experience. You acquire something, use it, and then move on, satisfied that the need has…

  • Museum of Unseen Futures

    Perhaps that is the final limit of visionaries: they do not conjure the future but instead craft its museum, arranging their dreams as exhibits for an audience yet to exist. Each boulevard, policy, or technology is less a step forward than a carefully placed relic, not built to withstand the future, but to be observed…

  • Parasocial Tapeworm Blues

    The parasite doesn’t knock. It doesn’t ask permission. It slides in smooth, coiling itself around your attention, threading through the soft tissue of your mind. You invited it, didn’t you? A friendly voice in the void, promising connection, promising meaning. But now it’s here, lodged deep, humming its endless tune. This is the Parasocial Tapeworm…

  • On the Beach

    The beach is the edge of the known world. It’s where land meets water, where certainty dissolves into chaos, and where you’re left barefoot, staring at the horizon, wondering if the tide is coming in or going out. It’s both arrival and departure, the place where Polynesians shoved off and where shipwreck survivors wash ashore.…

  • Faking it Forward

    The Gamification of Truth Metrics The brutal irony of the cryptosphere: as we fight to identify signal amidst the noise, every innovation we cling to as a “truth metric” inevitably collapses under the weight of its own gamification. The early metrics were simple: active wallets, social engagement, total value locked. But anyone who’s spent more…