Tag: William Burroughs

Cyberpunk

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Lately, I’ve been thinking about cyberpunk’s jagged grip on the collective id, its knack for haunting the edges of our digital decay like a rogue algorithm stuck on loop. 

Cyberpunk isn’t just about dystopian futures—it’s about the failure of successive belief systems, each of which once promised order, progress, or salvation but collapsed under their own contradictions. The genre layers these failures, showing societies where techno-optimism, corporate paternalism, state control, and even countercultural resistance have all failed to create stability.

You wanna talk aesthetics? Sure, neon vomits its argon glow over rain-slicked streets, console cowboys jack into wetware, and corps metastasize into privatized sovereign states—fine. But that’s just the chrome-plated epidermis. Dig deeper, and cyberpunk isn’t a genre. It’s a biopsy of our necrotic zeitgeist.  

The 20th century’s grand narratives? Those fossilized gospels of manifest destiny, dialectical utopias, and trickle-down rapture? They didn’t just fail. They curdled. Now we’re marinating in their residue—ideological smog clinging to the ruins of a future that never shipped. Cyberpunk’s genius is in mapping the schizoid vertigo of living in a world where the old gods—Democracy, Capitalism, Techno-Progress—still twitch on life support, their dogma stripped of sanctity but not influence. They’re semiotic ghosts, flickering through the feed, demanding fealty even as their servers crash.  

Think about it: the corporate arcology isn’t just a set piece. It’s a cathedral to the faith we lost but can’t quit. The hacker isn’t some geek savior; they’re a heretic burning ICE not to liberate, but to expose the rot beneath the GUI. And the street? That writhing bazaar of bootleg meds, pirated AI, and black-market CRISPR hacks? That’s where belief goes to get disassembled for parts. Cyberpunk doesn’t fetishize collapse—it autopsy’s the liminal horror of living in the afterbirth of a paradigm shift that never quite finishes shifting.  

LAYERED COLLAPSE 

Cyberpunk’s layered collapse isn’t some tidy Mad Max free-for-all. Nah. It’s an archaeological dig through strata of institutional rot, each epoch’s grand fix calcified into a new kind of poison. Think of it as a stack overflow of governance—dead code from dead regimes, still executing in the background, chewing up cycles, spitting out errors.  

Start with the state: that creaking Leviathan running on COBOL and colonial guilt. It was supposed to be the OS for civilization, right? Kernel of justice, firewall against chaos. Now it’s a zombie mainframe—patched with austerity measures, its public sectors hollowed into Potemkin terminals. You want permits? Social safety nets? The bureaucracy’s a slot machine rigged by lobbyists. The cops? Just another gang with better PR and military surplus. The state’s not dead—it’s undead, shambling through motions of sovereignty while corps siphon its organs.  

Layer two: corporate control. Ah, the sleek savior! “Privatize efficiency,” they said. “Disrupt legacy systems.” But corps aren’t nations—they’re predatory APIs. They don’t govern; they extract. Turn healthcare into SaaS, cities into franchised arcologies, human attention into a 24/7 mining operation. Their TOS scrolls into infinity, their accountability evaporates into offshore shells. And when they crash? No bailout big enough. Just a logo spinning in the void like a screensaver of shame.  

Then comes techno-salvationism, the messiah complex coded into every silicon evangelist. We were promised jetpacks, got gig economy feudalism instead. AI that was supposed to elevate humanity now autocompletes our obituaries. The blockchain? A libertarian fever dream that reinvented pyramid schemes with extra steps. Every innovation just grafts new vectors for exploitation. The Singularity ain’t coming—we’re stuck in the Stagnation, where every moon shot gets bogged down in patent wars and e-waste.  

And the counterculture? Please. Revolutions get drop-shipped now. Che Guevara’s face on fast-fashion tees. Anonymous? A brand ambushed by its own lore. Hacktivists drown in infowars, their exploits monetized as edge by the same platforms they tried to burn. Even dissent’s a subscription service—rage as a microtransaction. The underground’s just a mirror of the overculture, but with better encryption and worse merch.  

This is the polycrisis in high-def: not one apocalypse, but a nesting doll of them. Each failed utopia leaves behind a exoskeleton—zombie protocols, digital sarcophagi, laws that regulate markets that no longer exist. None die clean. None adapt. They just… haunt. Interoperate. Glitch into each other like a corrupted blockchain.  

You wanna know why this feels familiar? Look at the 21st century’s OS: a bloated spaghetti stack of legacy systems. Democracies running on feudal hardware. Social media that commodifies trauma. Green energy startups hawking carbon offsets like medieval indulgences. We’re not heading toward cyberpunk—we’re debug-mode citizens trapped in its dev environment.  

Cyberpunk’s genius is refusing to flinch. It doesn’t offer a fix. It just holds up a cracked mirror and says: Here’s your layered reality. A palimpsest of collapse. Now try to alt-tab out of that.

Final Layer

Solarpunk’s fatal flaw isn’t its aesthetics—turbines and terraformed ecotopias are gorgeous—it’s the naiveté baked into its code. Like a startup pitching “disruption” at Davos, it assumes systems have a kill switch. That humanity, faced with existential burn, will collectively Ctrl+Alt+Del into some moss-draped utopia. Cute. But history’s not an app. It’s malware.  

Let’s autopsy the optimism. Solarpunk’s thesis hinges on a Great Voluntary Unplugging: states shedding authoritarian firmware, corps dissolving into co-ops, tech reverting to artisan toolmaking. But power structures don’t revert. They metastasize. The Catholic Church didn’t reform—it got supplanted by nation-states. Nations didn’t humanize—they got outsourced to corporate SaaS platforms. Every “revolution” just migrates the oppression to a new cloud.  

Institutions aren’t organisms. They’re algorithms—rigged to replicate, not repent. You think ExxonMobil will solarpunk itself into a wind collective? Meta into a privacy commune? Nah. They’ll rebrand. Slap carbon credits on oil rigs, mint “sustainability NFTs,” turn eco-resistance into a viral challenge. The machine doesn’t self-correct; it subsumes. Even the climate apocalypse will be monetized, franchised, turned into a sidequest.  

That’s why cyberpunk’s so viciously resonant. It doesn’t bother with the lie of “self-correction.” It knows the score: failed systems don’t die. They fuse. Feudalism grafted onto industrial capitalism. Cold War paranoia hardcoded into Silicon Valley’s “move fast and break things.” The Vatican’s playbook lives on in influencer cults. Everything old is new again, just with worse UI and predatory subscription models.  

Look at the “hopeful” narratives getting mugged by reality:  

– Open-source utopias? Now GitHub’s a LinkedIn portfolio for FAANG recruiters.  

– Renewable energy? Hijacked by crypto miners and lithium warlords.  

– Decentralization? A euphemism for “the fediverse will still serve ads.”  

Solarpunk’s a luxury belief, a TED Talk daydream for the chattering class. It pretends we’ll hack the Gibson of capitalism with kombucha and community gardens. But the street finds its own uses for things—and the street’s too busy hustling for insulin to care about vertical farms.  

Cyberpunk, though? It weaponizes the cynicism. It knows layered collapse isn’t a bug—it’s the feature. The state’s a ghost in the machine. The corp’s a runaway bot. The tech’s a black box even its engineers can’t parse. And the counterculture? A memetic strain of the same corporate OS.  

We’re not living through a “climate crisis.” We’re in a recursive apocalypse. Each “solution” births three new demons. Carbon capture tech funds oil barons. AI ethics boards report to Zuckerberg. Unions get replaced by DAOs run by venture bros in Patagonia vests. The system’s not just broken—it’s fractal.  

THE FUTURES WE ATE

We devoured the futures that might have led to a more stable, rational, and exploratory civilization—ones envisioned by Clarke, the Strugatskys, and Lem—because they required long-term commitment to intellectual rigor, curiosity, and self-correction. Instead, we’ve regressed to faith-based ideologies that co-opt technology, not as a tool for discovery, but as a means to hasten predetermined ideological endgames.

Rather than using science and technology to expand possibility, we’re using them to Immanentize the eschaton—forcing apocalyptic or utopian narratives into reality based on faith rather than curiosity. Whether it’s techno-utopians believing AI will be the Second Coming, reactionaries pushing for a return to some imagined golden age, or political movements treating ideology as destiny, it all points to the same thing: we’re leveraging technology not to build the future but to confirm beliefs about it.

The collapse of Clarke’s vision—and that of the Strugatskys and Lem—suggests we’ve lost the ability to sit with uncertainty, to embrace complexity without trying to force an endpoint. Cyberpunk, then, is the natural byproduct of that failure: a world where the remnants of technological progress exist, but only in service of decayed institutions and collapsing belief systems. It’s a warning that when faith hijacks reason, the future stops being a place we move toward and instead becomes a battleground for ideological ghosts.

Ah, the golden age sci-fi buffet—Clarke’s star-flung temples of reason, Lem’s labyrinthine libraries of cosmic ambiguity, the Strugatskys’ cautionary fables of humanity tripping over its own dogma. They served up futures you could feast on. High-protein stuff, marinated in rigor and wonder. But we didn’t eat those futures. We processed them. Ran them through the extractive sludge pumps of late capitalism and faith-fundamentalist grift until they became McFutures—hyperpalatable, empty-calorie content.  

Clarke’s cosmic destiny? Processed into SpaceX merch and billionaire safari tickets to Low Earth Orbit. Lem’s epistemological vertigo? Blended into ChatGPT horoscopes and Reddit conspiracies about aliens building the pyramids. The Strugatskys’ warnings? Deep-fried into QAnon lore and Netflix occult procedurals. We didn’t evolve toward their visions—we deepfake’d them. Turned transcendence into a fucking app.  

You wanna know why Solarpunk feels like a gluten-free brownie at this dumpster-fire potluck? Because we’re allergic to utopia now. Our cultural gut flora’s been nuked by a lifetime of dystopian Happy Meals. The problem isn’t that hopeful sci-fi’s implausible—it’s that we’ve lost the enzymes to digest it. We’re too busy mainlining the chemtrail version of progress: AI that hallucinates, blockchain that enshittifies, CRISPR cocktails sold as biohacked immortality.  

The real tragedy? We didn’t just abandon those futures—we immanentized them to death. Took the Strugatskys’ fear of mythologizing the unknown and cranked it to 11. Now we’ve got theocracies of dataism, ML models trained on medieval superstitions, and a Mars colony pitch deck that reads like a Prosperity Gospel pamphlet. Clarke’s “overlord” aliens? They’d take one look at our algorithmic demigods and file a restraining order.  

Tech was supposed to be our bridge to Lem’s Solaris—a mirror for humbling, awe-struck inquiry. Instead, we used it to build a hall of funhouse mirrors, each one warping reality to fit whatever demagoguery, grift, or copium we’re pushing. Scientific method? Swapped for vibes. The unknown? Crowdsourced into conspiracy TikTok. We didn’t lose the future. We deepfaked it into a slurry of apocalyptic fanfic.  

Solarpunk’s sin is assuming we’re still hungry for the original recipe. But our palates are fried. We crave the rush—the sugar-high of crisis, the salt-burn of nihilism, the MSG of existential dread. Cyberpunk works because it’s the perfect comfort food for a species deep in cheat-mode: Yeah, we’re all doomed. Pass the neon sauce.  

The futures we ate weren’t destroyed. They were metabolized. Broken down into ideological glucose to fuel the same old cycles of decay. Clarke’s space elevators are now just ropes for the corporate ladder. Lem’s alien sentience? An NFT profile pic. The Strugatskys’ cursed research zones? Literally just LinkedIn.  

So here we are—bloated on futures we were too impatient to let mature. The irony? We’re starving. Not for hope, but for metabolism. A way to purge the toxic nostalgia, the corrupted code, the eschatological junk food. But the market’s got a new product for that:

Checkpoint

The agent crouched low in the alley, the flickering neon lights jerking like a mind caught in a seizure. Shadows danced on the walls, erratic as neurons firing in a dying brain. The Interzone hummed with the static of fractured realities, a buzz that bled through everything—glitching, fraying, as bits of half-thoughts and lost memories crawled up the spines of the unwary. He felt them out there, the watchers—ghosts in the machine, invisible, feeding off the surveillance lattice that crisscrossed the fabric of the world. The web never let anything go, and in the Interzone, detection was no longer just a risk—it was the final breath, a pinpoint incision cutting away the self.

Ahead, the checkpoint loomed—a jagged thing, an insect’s exoskeleton of glass and wire, twitching with sensors that sniffed the air for the smallest deviation. The agent was running out of time. His cover was a paper-thin mask, already peeling under the scrutiny of too many cross-references, too many eyes watching from the corners.

But he still had one last play, a filthy ace in the hole, a weapon so volatile it threatened to destroy not only him but the very bones of the Interzone itself.

From the folds of his coat, he pulled the artifact—dark and sleek, its surface gleaming with the ghost of something old, something dangerous. A relic whispered about in anarchist circles and corporate backrooms. A thing rumored to have been used in some forgotten neuro-war, its purpose lost in the undercurrents of time. It was no simple device; it was a scalpel for the mind, capable of slicing through consciousness with a precision that would unravel the threads of identity, of ego, of everything.

He turned it in his hands, the hum of it almost a heartbeat, an itch. The instructions had come in fragments—vague, cryptic: twist the dial, don’t hold it too long, and above all, don’t look back.

The agent pressed himself into the corner of the alley, his breath shallow, his pulse syncing with the low hum of the artifact. He twisted the dial.

The effect was immediate, as if the world itself had been punched in the gut. A sound—no, a sensation—rippled outward, inaudible to the physical ear but deafening to the psyche, a psychic tremor that knocked everything loose. His stomach churned, his vision warped, reality itself bending at the edges, a sickening distortion that made him feel like he was slipping through the cracks.

Around him, the air thickened—shimmered. The boundary between the real and the imagined began to bleed. The device had torn a hole, a fracture in the collective mind, and everything within a twenty-meter radius snapped loose like balloons with the strings cut. Ego and identity flung apart, scrambling, reassembling in wrong places, wrong bodies, wrong memories. It was chaos. Total, absolute chaos.

The superegos shattered first, like totalitarian regimes in an unplanned coup, their rigid structures dissolving into gibberish. The invisible judges—the ones that kept the Interzone in line—blinked out of existence, their roles vanished into the void. The ids, the raw, primal drives, burst free, wailing in ecstasy and horror, their desires spilling into the open, unchecked, uncontrolled.

The world trembled. It wasn’t just a tremor—it was a fracture in the very bones of reality. Buildings bent like rubber, walls quivered and undulated, breathing in and out as if the space itself were alive. The street, once a place of cold order, had become a fever dream. A man in a pinstripe suit staggered into view, his face slack, tears streaming down his cheeks. He clawed at his chest, mouthing words that would never be completed, a thought broken before it could even exist.

Nearby, a woman in an Interzone bureaucrat’s uniform collapsed, clutching her head. Her lips moved in frantic cycles, sentences folding over themselves—someone else’s guilt, her own prayers, advertisements from a life she couldn’t remember.

The guards at the checkpoint—once sharp, precise—had turned into parodies of themselves. One slumped against the monolith, helmet gone, his eyes staring into nothing, his lips trembling with a lullaby from some long-dead memory. Another stood, rifle in hand, twitching like an insect at the end of its life. His mind had locked onto a single phrase, a mantra that looped endlessly: not supposed to happen, not supposed to happen.

The artifact in the agent’s hand pulsed again, its glow soft but malevolent, a star long dead but still burning, refusing to go out. It was rewriting everything. The air itself cracked, reality itself torn apart at the seams. The ghosts of identities scrambled, tried to take shape, but failed, dissolving into vapor before they could solidify.

As he moved, the streets became unrecognizable—a warped tableau of madness. A businessman dropped to all fours, barking, sniffing at a woman’s skirt. She spun in place, singing in a child’s voice, a song that was more nightmare than nursery rhyme. A group of children spilled from a tenement, their laughter shrill and mechanical, a broken sound that didn’t belong in the world. One of them stopped, stared at the agent, and tilted its head. Eyes empty. Then it was gone, blinked out of existence.

The architecture was no better—melting, bending, warping. The checkpoint’s jagged monolith shivered, its surface bubbling, as if something underneath had been clawing its way out. The streetlights flickered, bending impossibly, their beams scattered across the ground like broken glass. The whole zone was glitching, fracturing under the pressure.

The agent pressed on, every step heavier than the last, the weight of the shattered minds pressing down on him. He could feel his own identity, his own mind, beginning to fray, foreign thoughts leaking in. A name—Theresa—slipped into his mind, a name that wasn’t his, a name that felt like it should be. The thought swam in the currents, too intense to ignore. He shoved it away, focusing on the threadbare remnant of his mission, the fragile construct of who he was.

He reached the checkpoint, and the guards didn’t even flinch. Their eyes were vacant, their bodies slack. One of them was staring at his reflection, mouthing soundless words, trying to put himself back together. Another laughed—a high, unnatural cackle that echoed across the empty street.

The agent stepped through the checkpoint without a glance backward. The scanners were blind, their systems overloaded, short-circuiting under the psychic onslaught. He moved through the chaos like a ghost, the echoes of a thousand shattered minds trailing him, their whispers tugging at the edges of his consciousness.

Behind him, the Interzone fractured, the remnants of its once-pristine control now slipping into the void. The agent didn’t look back. But something followed him, something nameless and hungry, born of the madness he’d unleashed. And it was closer than he realized.

Block Time

“Time is a junkie. Shoots up eternity and comes down as minutes. You’re not living in time—you’re processing it.”

He sat cross-legged on a floor that never aged, scribbling with a pen that never ran out, his hand looping eternal cursive over blank sheets that devoured ink without a mark. This was Block Time—slabs of Now stacked like bricks, stretching infinitely, refusing decay. Tick-tock and stop. Time was not a river here; it was a warden.

He’d been writing his book for five lifetimes—or none at all. Hard to tell.

Somewhere, outside the cell of Now, the Clockmen shuffled with their pendulum limbs, heads like grandfather clocks, their faces frozen at 11:59—forever awaiting the strike that never came. One of them rattled its bones against his door. Thump.

“Keep writing, Writer,” it moaned.

He spat on the floor where the saliva evaporated into whispers.

The book was about Block Time but was also Block Time. It fed on paradoxes like a boa constrictor eating its tail, growing fatter with self-references. Chapter 9 explained Chapter 4, which rewrote Chapter 12, which negated Chapter 1. Readers wouldn’t read it; they’d inhale it, like dust from a forgotten library. And then they’d dream it.

He remembered what it was like before. Linear time. Dirty stuff—ran like oil over gears, constantly breaking down, needing grease. He’d lived there, with the rest of them, breathing in moments like cancerous smoke, dying one inhale at a time. That’s where the Clockmen found him—off his face on forward motion, thinking he was going somewhere.

They hooked him with a gold-plated second hand and dragged him here, kicking and screaming into stillness.

Now? Now he wrote.

Somewhere deep in the block—a block beneath the block—there were whispers of others like him: the Repeaters. People who’d escaped linearity but couldn’t escape habit. A man peeling an apple over and over for eternity. A woman pulling thread through fabric, stitch-by-stitch, sewing together nothing. The Repeaters wanted him to stop writing. Said the book was a virus that spread stillness.

“You’ll freeze it all,” they hissed.

“But it’s already frozen,” he growled back.

He scrawled faster, words bubbling up from inside him like vomit: “In Block Time, all books have already been written, but every page is unwritten until you look. Schrödinger’s notebook.”

He thought of escape sometimes. Just out of curiosity, you understand. He imagined prying open the walls of Now with a crowbar, tearing through to something with edges. Real time. Maybe he’d sit in a diner and drink coffee that got cold. Let a clock run out. Watch seconds collapse into oblivion like bodies falling from a skyscraper.

But then he’d look down at his book, at the words slithering onto the page, and he knew there was nowhere to go. Block Time wasn’t a place; it was a condition. It wasn’t keeping him here—he was here.

A knock came at the door. Another Clockman. He heard it ticking behind the woodgrain.

“Chapter 37 is eating Chapter 5,” it said.

He wiped ink from his lips and smiled.

“Good. That means it’s working.”

The City of Ten Thousand Doors

The room has been thick with smoke, curling in lazy rings under the ceiling fans, the walls stained amber in the dim light. Tangiers has pulsed outside, the city flickering in neon, shadows shifting like restless ghosts. In the corner, beneath a cracked light, the boss has leaned back in his chair—Moroccan leather, worn with years, his fingers drumming on its arm. He has watched the young men across from him with a hard, steady gaze, reading them as if they’ve already confessed everything.

“You have thought I’m just another hustler,” he has said, a slow smirk pulling at his lips, “another man with hands in pockets, collecting my piece.” The men have been silent, their shoulders tight, but the boss has leaned forward, letting smoke drift from his cigarette. “You haven’t understood it yet, have you? What I do has gone far beyond money. Money has been only a shadow, an echo. What I have done here, it’s made something—call it order, call it peace, but it’s real.”

He has flicked his cigarette ash onto the floor, ignoring the tremor in the younger man’s hand. “If I hadn’t been here, things would have fallen to chaos. The souks, the ports, the whole rhythm of the Medina—everything would have unraveled. What I’ve built has kept this place together, ticked it forward like the gears in an old clock.” His voice has been quiet but sharp, cutting through the haze of the room like a blade.

“Now, maybe you’ve been thinking, if there’s no trouble, why would anyone need a man like me?” He has laughed, a low, rusty sound. “But that’s the trick, isn’t it? If I’m good at my job, then there’s nothing to see. No mess, no broken bones in the street, no blood on the walls. People start to believe there’s nothing wrong, that danger’s a myth.”

He has looked through the window, the lights of Tangiers spread below him like a map of possibilities. “But if something bad had happened? If I had let things slip even once?” His face has hardened, his jaw clenched. “Then they’d say I had failed, that I wasn’t worth the price. They’d forget the times I’ve stopped trouble before it had begun, the messes I’ve cleaned before they’ve spilled over.”

He has paused, smoke wreathing his face, an ancient calm in his eyes. “Do you understand the weight of that? To keep things balanced, never seen, never praised? To hold all the threads while people wonder if you’re even needed? That’s my trade. I’ve made sure that bad things haven’t happened. And that is my curse: the better I do my job, the less they see me, the less they understand what I’ve saved them from. But they come to me in the end, every time, because they have known—even if they forget in the daylight—how much worse it could be.”

The boss has shifted, leaning back as if to take in the whole room with one slow, sweeping look. The young men have sat tense, half-listening, half-staring at the haze of smoke. He has taken a deep breath, as though he’s about to let them in on some secret hidden in the foundations of the city itself.

“You see, people talk about technology as if it’s some kind of miracle, some guarantee of power,” he has murmured, voice like gravel rubbing against silk. “But I’ve seen the truth—no matter how powerful a technology becomes, it’s never more than an experiment. Always a test, always just a step out into the unknown. The fools in labs, the ones behind all those machines and wires, they don’t know what they’re playing with. They’re like children with matches, thinking they’ve mastered fire.”

He has laughed, cold and low, taking another drag from his cigarette. “Technologists think they’re gods, but they’re blind as anyone else. They can’t see the full picture, not until it’s too late. Every invention they’ve made, every so-called ‘solution’—it’s been nothing but a gamble. They’ve played with forces they haven’t understood, and by the time they’ve seen the consequences, it’s already out of their hands.”

He has looked each young man in the eye, holding them there as if weighing their souls. “Me? I’ve never had that luxury. I’ve had to see things for what they are, right from the start. Every move, every deal, every choice has had to be deliberate, no room for loose ends or blind experiments. The people out there,” he has gestured toward the city lights flickering through the window, “they think they’re safe because of some system, some clever design. But all of that, the order they take for granted—it’s only ever been real because I’ve made it so. Not machines, not technology, but flesh and blood, sweat and consequence.”

He has leaned forward, his voice dropping to a whisper, but with the weight of iron. “The men in labs can afford to fail. They learn after the fact, let their failures fall on others, make their adjustments. But here in Tangiers, in the streets, I don’t have that luxury. If I fail, the city burns. That’s the difference. Their power’s experimental; mine’s real.”

The smoke has lingered thick around them, the shadows pooling deeper as his words settled over the room like a warning. “So remember this,” he has said, a dark gleam in his eye, “whatever new marvels or toys they come up with, whatever promises they make—their games will always end in uncertainty. But what I’ve built, what I protect… that’s no experiment. That’s the line between order and chaos. And as long as I’m here, I keep that line.”

The boss has drawn a long, slow drag from his cigarette, and his eyes have softened, gazing out toward the window where Tangiers sprawled like a living tapestry. “This city,” he has said, voice a mix of reverence and resignation, “it isn’t some neat system, like those technologists dream about. No, this place… it’s like the wave and the electron. Infinite, changing, an experiment that’s always in motion, never fixed.”

He has looked back at the young men, holding them in the weight of his stare. “They think they can measure it, control it, like it’s some Western machine. But here? Tangiers is like the wind that rolls off the Rif Mountains, like the markets shifting each dawn, like the sea brushing at the rocks and changing a little each time. Everything here, it’s relationship, it’s the balance of people who’ve known each other’s families for generations. It’s not rules and systems; it’s baraka—the blessings, the weight of lineage, of blood and debt, of favors traded over tea, beneath the palm trees.”

He’s flicked his cigarette ash again, as though brushing off the technologists’ schemes, their neat little theories. “You see, in the North, they have their systems, their grids, their determinations. But here? Here, we have tajriba—a kind of knowing, a trust in the way things unfold, always close, never certain. And like the electron, everything depends on how you look at it, how you’re connected to it. You can’t hold Tangiers in your hand; you can only walk through it, move with it, be part of its rhythm.”

He’s paused, tapping his fingers on the table. “This place is indeterminate, like you said. It’s like the wave. One minute it’s a pulse of energy moving through the souks, the alleys; next moment, it’s gone, disappeared into the Medina’s hidden paths. It slips through your fingers like sand. And every day, every deal I make, every person I touch, it changes. Not in some simple, linear way—they don’t understand that. It’s like trying to catch a river in a cup. You only get a trickle, but the rest flows on, uncontained.”

He’s leaned back, letting his words settle over the young men, filling the room with a silence that has felt thick and heavy. “So they think they can impose their systems here? Control it from the outside? They’ll only ever see a shadow, a surface reflection, because they don’t have the connection, the roots. They don’t have the real understanding. You can’t build a city with formulas, with charts. This city’s made of whispers and debts, of hands clasped over coffee, of promises that outlast lifetimes.”

He’s taken another drag, and his eyes have drifted back to the cityscape beyond the window. “They don’t know Tangiers. They see the city, but not the experiment within it—the push and pull, the pulse beneath the stone, the spirits and ancestors, the ways that cross each other like the wind. And that’s why, in the end, this city is ours. Because we understand that it’s not a problem to be solved. It’s alive, like the ocean, like the mountain, like us. A living, breathing, shifting wave.”

The Garage

Ray: “It’s the garage, Bill. The garage itself. Not some ordinary space filled with nails, wood shavings, and the detritus of middle-class American living. No, this garage, it’s alive. Like one of those shops in the old stories, the ones that weren’t there yesterday and won’t be there tomorrow. But today? Today it hums with energy, a transmitter of something grander than mere human thought.”

Bill: “Ah, yes, the old alchemy. A conduit, not a container. You don’t walk into it—you get absorbed by it. The space warps reality, don’t you see? Market speculation bleeds through the walls like the very vapor of high finance, all those zero-interest loans seeping in like opium through a bloodstream. Ideas aren’t born there, they’re inhaled—snorted off the concrete floor with the dust and grease of all the past failures and half-baked schemes.”

Ray: “Exactly! The garage isn’t some workspace for soldering wires or slapping together motherboards. No, it’s a cosmic atelier, where the air itself whispers secrets to those who dare to breathe deeply. And the people? They’re just… passengers. Hitchhikers on the road to brilliance. The garage is driving, always has been.”

Bill: “It’s a ritual space, then. The garage works on you the way a junkie works on a needle—methodically, compulsively. You think you’re shaping the future, but the future is really shaping you. And the rent? Let’s talk about that—six figures for a little square of concrete and corrugated steel. You’re paying for the privilege of being swallowed up by this beast, thinking you’re starting a company when really you’re just part of its metabolism. Feeding it.”

Ray: “And that’s the genius of it, Bill. The garage doesn’t want your ideas. No, it’s after your belief. You step inside thinking you’re going to change the world, but it’s the garage changing you. Transmitting, processing—every entrepreneur that passes through is like another brick in the wall. They come in with dreams, but they leave with… startups. Products. Things. The garage doesn’t care for things—it’s the process it craves.”

Bill: “A grand scam, isn’t it? The startup is the fix, and the garage? That’s your dealer. You think you’re on the verge of revolution, but it’s just the same trip, over and over, selling you visions for what you can’t quite touch. And when the market crashes? The garage disappears like smoke. But by then, it’s already in your bloodstream, man. It’s already altered you. Made you its instrument.”

Ray: “So the real secret isn’t the founders. It never was. It’s the garage, alive, timeless, waiting for the next great idea to stumble through the door. Wozniak? Jobs? They were just tuning forks, vibrating to the hum of something much older. Much bigger. And the future? That’s just another echo, another reverberation of what the garage wants to be born.”

Bill: “Exactly. You don’t create the next big thing in there—you channel it. The garage is an ancient hunger, disguised as innovation. You think you’re feeding it your mind, but really, you’re just feeding the machine. And by the time you figure that out? It’s too late. You’re already hooked.”

Doppelgänger

The Zone was all wires and rot, a place where the buildings sagged like the bones had been sucked out, where people’s faces blurred, like the heat had warped their features into something barely human. A place where reality skipped like a bad film reel.

Jack Tully pulled his collar up against the sting of the fog. His old exterminator truck sat abandoned, rusting in the alley, like it belonged there. The neon light of a busted sign buzzed and flickered, painting the street in a sickly pulse. He used to kill things for a living, pests, rats, the occasional snake that found its way into someone’s basement. Now, he tracked people. Sometimes they were alive; sometimes he wished they weren’t.

He stepped deeper into the Zone, boots splashing in puddles that reflected back the twisted, impossible geometry of the place. He wasn’t here for a job tonight. He was here for something else. Something he’d heard about in whispers, rumors that clung to the dark like mildew.

Then he saw him, leaning against the rusted frame of an old diner, half-collapsed under the weight of years. At first glance, Jack thought it was just another washed-up loser waiting to fade into the Zone. But then the figure stepped into the flickering light, and Jack felt his stomach lurch.

It was him. Every detail—a twisted mirror image, down to the frayed jacket and the scar above his right eyebrow. The doppelgänger’s eyes were flat, dead things. No recognition. No humanity.

He was the viral strain of everything we feared but couldn’t help but recognize in ourselves, a greasy mirage of our own shadows crawling through the back alleys of consciousness. His mind flickered like a neon sign shorting out, alive with every dirty thought and twisted ambition we dared not acknowledge. He didn’t adapt, didn’t evolve—he mutated, a parasite that fed off the basest parts of human nature. Psychopathic, yes, but with a radar tuned to the weaknesses of the herd, like a sewer rat dodging poison traps.

His fantasies were infantile, but that’s what made them dangerous—unmoored, floating in the primal ooze of ego and unchecked desire. There was no moral compass, just a heat-seeking missile aimed at every low, animal urge we tried to bury. People fell for him because he was them—diluted and distilled into something purer, uglier. He was the darkness everyone denied but secretly nursed. The gutter-born prophet, a walking wound in the shape of man, preaching to the hollow hearts that refused to heal.

“Who sent you?” Jack asked, his voice low, but it barely sounded like his own.

The other Jack grinned, but it wasn’t the kind of grin that belonged to a person. It was something a rat might do if it could smile. “Nobody sent me,” the double said, voice like it came from under the floorboards. “I’ve always been here.”

The air between them seemed to warp, buzzing like there was static in the atmosphere, like the Zone itself was watching. Jack reached for his gun, a reflex, but the other him moved faster. He slapped Jack’s hand away, faster than any man had the right to move, and then they were face to face. The other Jack smelled like pest control chemicals, like poison and damp fur.

“You’ve been killing rats all your life, but the biggest one’s been living in you,” the double hissed. “How’s it feel to meet your real reflection?”

Jack staggered back, the weight of the words hitting like a punch. The Zone groaned around them, shifting, the walls breathing. He tried to speak, but the words wouldn’t come.

“You think you’re the hero in your own story, Tully,” the double said, stepping closer, “but I’m the one who’s been doing the dirty work. Every lie you’ve told yourself, every time you looked away instead of facing the truth… I’m that. You don’t kill rats. You are one.”

Jack felt the bile rise in his throat, his mind unspooling. The other him started to flicker, like a bad signal. Like he wasn’t solid anymore, just a ghost made of everything Jack had ever tried to bury.

Before he could react, the double reached out, pressing his palm to Jack’s chest, and Jack felt something cold and terrible slither inside him. The Zone twisted around them, the walls peeling away into darkness, until it was just the two of them standing in the void.

Jack couldn’t tell if he was looking at himself anymore, or if he had become the thing staring back at him.

“See you on the other side,” the doppelgänger whispered, and then everything shattered.

Money Should Be Free

Imagine a world where money flows like words through the airwaves, a filthy river of greenbacks coursing through every gutter and alley, seeping into the cracks of society, soaking the earth, drowning the parasites and the predators alike. A glorious torrent, unfettered by the iron bars of bank vaults, slipping past the sticky fingers of Wall Street sharks, flooding every slum and penthouse until no one can hoard, no one can starve, no one can die for the lack of it.

This is the vision, the fever dream of a society where cash isn’t chained to the whims of the suits, isn’t corralled behind the velvet ropes of high finance, but is free—wild and unruly—as free as the foul-mouthed graffiti scrawled on the underpass, as free as the bile spewed by the demagogues and the dissenters on late-night radio. Money, unbound, loose in the streets like a pack of feral dogs, gnawing at the edges of the old order, tearing down the ivory towers with every snarling bite.

Money should be free like speech, like the words we spit and the lies we tell, the truths we barely dare to whisper. No more should it be the domain of the privileged, locked away in Swiss accounts and Cayman havens, but instead a tool, a weapon, a voice for every bastard son and daughter of the American Dream, every poor sucker born on the wrong side of the tracks, every down-and-out loser with a fistful of dreams and a pocket full of nothing.

But they fear it. They fear what happens when the floodgates open, when the dollar isn’t shackled to a price tag, when every man, woman, and child holds the same power in their hands as the boardroom elite. Because money, like speech, is dangerous when it’s in the hands of the many. It breeds chaos, it sows dissent, it upends the delicate balance of power that keeps the machine churning and the masses in line.

So they keep it locked up, parceled out in tiny doses, just enough to keep the gears turning, just enough to keep us hungry, desperate, begging for scraps. They know that if money were free—truly free—like speech, like thought, like the anarchic energy that pulses in the veins of every street corner prophet and half-crazed preacher, the whole rotten system would come crashing down, the pyramid of power collapsing under its own bloated weight.

Free money, free speech—two sides of the same damned coin, the currency of revolution, the language of the oppressed. And until they’re both free, really free, we’re all just slaves to the same old gods, dancing to the same old tune, while the fat cats sit back and laugh at the spectacle of it all.

Let’s cut through the bullshit. The objections to making money free like speech are nothing more than self-serving garbage, concocted by those with a vested interest in keeping the rest of us under their heel. They wave around words like “inflation” and “economic instability” like they’re some kind of holy scripture, but it’s all a smokescreen—a sleazy con game designed to keep the power where it’s always been: in the hands of the rich and the ruthless.

The fear of hyperinflation is the first line of defense for these bastards. They’ll tell you that if everyone had access to money, the economy would spiral out of control, that prices would skyrocket, and the whole system would collapse. But let’s be real—this assumes that the only economic model worth a damn is the one that keeps their coffers full. What they won’t tell you is that the current system is already on life support, propped up by the same handful of bankers and politicians who have rigged the game in their favor. So who are they really protecting? Not you, not me—just their own bloated wallets.

Then there’s the tired old line about “loss of incentive and productivity.” The idea that without the threat of poverty hanging over your head, you’d just sit on your ass all day is a goddamn lie. They want you to believe that money is the only thing that drives people to work, but they’re deliberately ignoring the real motivations—passion, creativity, the desire to build something meaningful. Free money wouldn’t kill productivity; it would set it free, unshackling us from soul-sucking jobs and letting us chase our real dreams. But of course, the last thing these parasites want is a population that’s not chained to the grind.

And then they start whining about “widening inequality,” as if that’s not the most hypocritical pile of horseshit you’ve ever heard. The same people who’ve been exploiting every loophole to hoard wealth are suddenly worried that free money would somehow screw over the little guy? Give me a break. The truth is, they’re terrified that if money were free, their precious system would implode, and with it, their stranglehold on power. Free money wouldn’t widen inequality—it would level the playing field, giving everyone a fair shot at the game.

Oh, but the poor banks! The poor investment firms! “Undermining financial institutions,” they call it, as if that’s something to be concerned about. Let’s get one thing straight: these institutions exist to serve themselves, not the people. They’ve been sucking the lifeblood out of the economy for decades, and now they want you to believe that without them, society would crumble. What a load of crap. The truth is, they’re scared shitless of losing their relevance, of waking up in a world where they can’t dictate the terms anymore.

“Moral hazard,” they cry, as if letting people have money would turn us all into reckless idiots. What they really mean is that they don’t trust you to make your own decisions—they’d rather keep you on a short leash, afraid and obedient. But the real hazard is letting these assholes keep calling the shots, because they’ve already proven they can’t be trusted. Free money would strip away their control, and that scares the hell out of them.

They love to talk about “corruption and misuse of resources,” as if the current system isn’t already a cesspool of corruption. The difference is, under their system, only the rich get to be corrupt. Free money would democratize power, and that’s the last thing they want. They’re not worried about corruption; they’re worried about losing their monopoly on it.

Then there’s the bullshit about the “devaluation of labor and skill.” They’ve got you convinced that the only way to value work is with a paycheck, but that’s just another way to keep you in line. There’s plenty of work that’s vital to society—caregiving, teaching, creating—that’s already undervalued because it doesn’t rake in profits for the elite. Free money would let people pursue the work that matters, instead of just what pays. But they can’t stand the thought of a world where they can’t exploit your labor for their gain.

Finally, they’ll throw out the “erosion of social contracts” argument, as if the current social contract isn’t already broken beyond repair. The reality is, the contract they’re so keen to protect is one that keeps them at the top and everyone else fighting over scraps. Free money would mean rewriting that contract, making it fair, making it just. And that, my friends, is what they’re really afraid of—losing their grip on the power they’ve so carefully rigged in their favor.

So don’t buy the bullshit. The cons against free money are just the desperate last gasps of a dying system, clinging to whatever scraps of control it can still grab. They’re scared, and they should be. Because when money is free, so are we.

Algorithms and Section 230

A platform’s algorithm, far from being a neutral intermediary, actively constructs reality by shaping and directing the user’s desires, creating a speech that is its own, and therefore, liable.

The algorithm acts as the Big Other, imposing a Symbolic Order on the user, reflecting back a distorted image of the self, rooted not in the user’s authentic desires but in the desires structured by the platform. This misrecognition traps the user in a web of signifiers dictated by the algorithm, making the platform responsible for the identity it helps to construct.

Thus we introduce the idea of the algorithm as a viral language, a control mechanism that invades and manipulates the user’s psyche. The algorithmic process splices and recombines fragments of data—age, interactions, metadata—into a narrative that is not authored by the user but by the platform itself. This narrative, like a virus, spreads through the user’s consciousness, controlling and shaping their reality. The platform’s curation, in this sense, is a deliberate act of speech, a form of control that the platform must be held accountable for.

This process creates a hyperreality, where the algorithm generates a series of simulacra—representations that have no grounding in the real, but are instead designed to perpetuate consumption. The curated content becomes a hyperreal environment where the user is not merely engaging with reality but with a pre-fabricated version of it, designed by the platform for its own ends. The platform’s speech is thus not an innocent reflection but a constructed reality that it must answer for, as it blurs the line between the real and the simulated.

Finally, the algorithm is seen as a desiring-machine, continually connecting and producing flows of content. This production is not passive but active, a synthesis of desires orchestrated by the platform to create an endless stream of meaning. The connections and realities produced by this synthesis are not merely a reflection of the user’s desires but a construction that the platform engineers. As such, the platform must take responsibility for the speech it generates, especially when it results in harm or exploitation.

In consolidating these perspectives, it becomes clear that the platform’s algorithmic curation is not just a technical process but an active form of speech that shapes and constructs reality. As the author of this constructed reality, the platform cannot hide behind the guise of neutrality; it must answer for the consequences of the desires it channels and the realities it creates, particularly when those realities lead to harm. The court’s recognition of this responsibility marks a significant shift in how we understand the nature of speech and liability in the digital age.

The concept can be distilled into the idea that “the medium is the message,” as Marshall McLuhan famously put it, but here with an important extension: the message is speech, and speech is liable.

In this context:

  • The Medium is the Message: The algorithmic curation of content is not just a neutral process but a medium that actively shapes and constructs reality. The medium itself—the algorithm—is integral to the message it delivers.
  • The Message is Speech: The content curated and recommended by the algorithm becomes the platform’s own speech. It is not merely transmitting user-generated content but actively creating and delivering a specific narrative or reality.
  • Speech is Liable: Because this curated content is now considered the platform’s speech, the platform is responsible for it. Just as individuals are held accountable for their speech, the platform must answer for the speech it produces, particularly when it causes harm.

A Manifesto for the Modern Money Launderer

Listen up, fellow drifters of the digital dirt roads, and connoisseurs of the con. The world’s a stage, and every storefront, every glossy website, is just a prop in the grand theater of laundering. The real action happens behind the curtain, in the shadows where the money changes hands without so much as a whisper.

Let’s start with the brick-and-mortar boys, the old-school cats who know that the best way to hide a needle is in a haystack of cold, hard cash. Restaurants, laundromats, the usual suspects—these joints are more than meets the eye. Sure, the food might be trash, and the service abysmal, but that’s not the point, is it? The cash registers ring out with the sweet sound of legitimacy while the real dough is scrubbed clean, nice and tidy, ready for its next adventure. It’s all about the real estate, baby. The meat grinder downstairs is just a sideshow—upstairs, the property’s value is climbing faster than a junkie’s pulse on payday. The real money isn’t in what’s being sold but where it’s being sold. You can run at a loss on paper while the walls around you silently appreciate, playing the long game like a pro.

Now, for the digital hustlers, the new kids on the block who’ve traded cash registers for code. The game’s the same, just a different playing field. Think eCommerce sites that sell a whole lot of nothing at all, digital ghost towns with a flood of phantom customers. Or better yet, the cryptocurrency exchanges where ones and zeros turn into dirty cash and back again in the blink of an eye. If you think no one’s watching, you’re right—and that’s the beauty of it.

Digital ads? Yeah, those too. Create a few websites, make some noise about clicks and impressions, then sit back and watch the ad dollars roll in. It’s the Wild West out there, and the sheriff’s too busy scrolling through his feed to notice.

But don’t forget, all roads lead back to real estate. That’s where the big dogs play. The digital storefront, the online hustle, it’s all smoke and mirrors. The land beneath your feet, or the digital turf you claim, that’s where the real power lies. Buy low, sell high, and do it all under the radar. Run the operation at a loss? Sure, why not. The tax man gets a kick in the teeth, and you walk away with a fat portfolio, grinning like the Cheshire Cat.

So, remember this: the visible operation, whether brick-and-mortar or digital, is just the bait. The real hustle is buried deep, in the land, in the code, in the sleight of hand that keeps the money moving, the authorities guessing, and the profit rolling in. Keep it quiet, keep it clean—or at least, clean enough to pass for legitimate. And whatever you do, don’t get caught watching the show when you should be running the stage.

Coda: The Simulacrum of Capital in the Age of Hyperreality

And so we arrive at the final act, where the borders between the real and the unreal dissolve into a shimmering haze. The storefronts, the websites, the meticulously maintained façades—each is a simulation, a simulacrum of commerce where the substance is secondary to the spectacle. What is sold, what is bought, are mere artifacts of a system that thrives not on production or consumption, but on the circulation of capital in its most abstracted, spectral form.

In the end, the real estate, the digital code, the tax write-offs—they are all part of a grand choreography of deterrence, an elaborate dance to keep prying eyes distracted. The true operation is one of perpetual displacement, where value is not created but displaced, masked, refracted through the lens of legality and illegality until it loses all meaning, all attachment to the material. This is the essence of late capitalism, where the signifier has long since broken free from the signified, leaving us with a hyperreal economy that exists only in the echoes of its own transactions.

Here, the loss is not a failure but a strategy, a way to maintain the illusion of scarcity and risk in a world where value is infinitely malleable. The store, the site, the land—they are all nodes in a network of simulacra, where the real business is in the interstices, the gaps between what is seen and what is concealed. To run at a loss is to engage in a dialectic of presence and absence, where the apparent failure of the operation conceals the success of the strategy, the ascendance of the simulacrum over the real.

In this space, profit becomes a specter, haunting the margins of the operation, always present yet never fully realized, always deferred, like the horizon of meaning in a text that perpetually rewrites itself. And so, we conclude not with a resolution but with an opening, a door left ajar to the endless possibilities of the simulacrum, where the real has been supplanted by the hyperreal, and the only truth is the one we fabricate in the play of surfaces.

Tangier

The air hung heavy with the sweet, cloying scent of kif. The narrow, labyrinthine streets of Tangier were alive with the cacophony of street vendors, the chatter of locals, and the distant wail of a muezzin. In a dimly lit, opium den, a group of expatriates sat huddled together, their faces illuminated by the flickering glow of a kerosene lamp.

The sun beat down on the alleyway, a furnace of white heat. Flies buzzed, drawn to the stench of urine and decay. The air was thick with the acrid scent of hashish. A group of men sat in a circle, their eyes glazed and distant. In the center, a small pipe was passed from hand to hand.

“If you want someone to cheer alongside wherever the hopium is flowing,” a voice rasped, “it’s not me.” The speaker was a gaunt man with hollow cheeks and a haunted look in his eyes. He was known to the others as “The American.”

One of the men, a young Moroccan with a scar running across his cheek, laughed. “You’re a funny one, American. Always so serious.”

He took a drag from the pipe and exhaled slowly. For a moment, his eyes seemed to focus on something far away. Then he turned back to the group and said, “If you want a friend, find someone who’s still got his soul. Someone who hasn’t been consumed by the darkness.””hopium is a siren song, luring us all into its seductive embrace. It promises escape, oblivion, but in the end, it leaves us stranded on an island of our own making.”

<>

The kasbah was a labyrinth of shadows, the air thick with the scent of hashish and sweat. A Moroccan belly dancer, her eyes glazed with opium, swayed to the rhythm of a ghaita player. The music was a hypnotic drone, a siren song that pulled you deeper into the labyrinth.