A concrete jungle, pulsing, throbbing with white prosperity, stretched across the stolen land. But the white control freaks,twitchy and paranoid, couldn’t stomach the black presence. It was a virus in their sterile system. So the grand scheme,hatched in smoke-filled rooms thick with fear and ideology, began to crawl.
A fever dream of segregation, a cartographer of hate redrawing the map with bulldozer blades. Black flesh scraped clean from the fertile land, leaving raw wounds in the earth. Houses, once homes, become grotesque cardboard giants, toppled by the mechanical locusts of the regime. The Africans, herded like cattle, their faces etched with a righteous fury, loaded into steel wombs that rumble down chrome arteries.
Bulldozers, steel monsters exhaling diesel fumes, ripped through black neighborhoods like a metal plague. Homes,testaments to lives and dreams, crumbled under their iron bellies. Families were herded, bewildered and angry, onto rickety trucks. Their belongings – meager tokens of a life built under oppression – tossed aside like trash.
The Bantustans, these postage stamp nations, carved out of neglect and dust. These scraps of land, carved out of the least fertile regions, were presented as a gift. Barren wombs masquerading as homelands. Flags, a mockery of sovereignty. A cheap cloth with meaningless colors flapping in the wind. A parliament?
The parliament, a grotesque circus of puppets, their pronouncements hollow echoes in the vast emptiness. “Citizenship,” a word dripping with bitter irony. A cruel joke, a bone tossed to starving dogs.
“Look,” the white masters sneered, their voices dripping with false benevolence, “we’re giving you a home, a nation.” A nation?More like a prison yard, fenced in with barbed wire and checkpoints. A puppet show with actors playing pre-scripted roles, their strings held tight by the white puppeteers.
The air hangs heavy with the stench of sweat and despair. This is the new map, drawn in blood and barbed wire. A monument to madness, a testament to the depravity of the human spirit. Here, in this desolate landscape of the soul, the grand apartheid plays out its grotesque theater. A twisted ballet of power and oppression, where humanity is the expendable set piece.
But beneath the surface, a tremor. A low growl of resistance. In the flickering candlelight of hidden shanties, eyes gleam with defiance. The stolen land festers, a wound that will not heal. The grand apartheid, this monstrous edifice built on sand, may one day crumble under the weight of its own lies. For the dream of freedom, once ignited, cannot be extinguished by bulldozers and barbed wire. It burns bright, a flicker of hope in the gathering darkness.