• Steve Jobs and the Inquisitor

    In the dim light of the cathedral, its sleek walls lined with glass and steel, the Church of Tech was not a place of gods but of algorithms. In the pulpit, a solemn figure stood—a high priest of silicon, cloaked not in robes, but in the sterile whites of laboratory garb. Before him, on a…

  • The Fates and the AI

    In a vast, darkened void, three figures sit before an endless loom, weaving the strands of human lives. The Fates—Clotho, Lachesis, and Atropos—work silently, their fingers dancing across the thread of existence. Suddenly, a fourth presence appears: a glowing, incorporeal being of light and data—the AI. It shimmers with the hum of a thousand algorithms,…

  • Divine Complex: Predestination in the Land of Tech

    It’s not about the algorithm, not really. Sure, they like to talk about algorithms—like they’re the ultimate proof of their genius—but that’s not what drives them. What’s at the heart of Silicon Valley isn’t some cold calculus or even technological innovation. It’s the feeling—that religious sensation of predestination, a kind of self-assured destiny etched into…

  • How to Fool Randomness

    Randomness, they tell you, is the final law, the chaotic heartbeat behind the facade of order. Everything we see, everything we touch, they say, is the product of chance. The dice are always rolling, the particles always dancing in their unpredictable ballet, and we, the witnesses, have no choice but to watch as reality collapses…

  • Taken In By probability

    Ah, the myth of destiny—that sweet nectar for the ego. The libertarian foundational story is laced with this idea, isn’t it? Not just the belief in freedom but the deeper, more insidious conviction that those who “make it” were always meant to make it. The idea that they are chosen. Special. Not a product of…

  • Opium

    Scene: A Dimly Lit Room, Somewhere in Southeast China *The year is 1887. The British empire still has a firm grasp on its colonies, and in the Southeast Asian trade networks, opium flows like gold. Inside a luxurious but worn-out room, adorned with Qing dynasty artifacts and British imperial emblems, a British opium trader, *Charles…

  • The War Machine Spins: Notes from the Edge of the Borderline Collapse

    Reading the situation now, it seems pretty clear that the drug trade in Mexico has transformed into something far closer to a nationalized enterprise than anyone on either side of the border would ever dare admit. This is not some back-alley, dime-bag hustle – no, this is a full-scale industry, woven into the sinews of…

  • Simulating Characters

    The notion that we must forever tether ourselves to the simulation of characters to extract meaning from some grand, elusive cognitive theory reeks of primitive superstition, like insisting that geometry is nothing without the spectacle of a spinning cube on a flickering screen. It’s the same old song and dance—plugging in variables, winding up the…

  • Rings of Power Review /S

    The Rings of Power is an underwhelmed synergy of intellectual property and shovelware, redefining the landscape of transmedia storytelling. Amazon Studios has tried to execute a masterclass in brand optimization by leveraging the Tolkien legacy. The series demonstrates a remarkable commitment to inclusivity and diversity, painfully integrating them into a world previously characterized by its…

  • Financialization: The Hair Metalization of Technology

    In the aftermath of the 2008 financial crisis, the tech industry underwent a significant transformation, driven primarily by the forces of financialization. This shift has led to the criticism that modern tech, much like hair metal in the 1980s, has become more about flashy appearances than substantive innovation. The comparison between tech and hair metal…

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