Category: Non Fiction

The Vanishing Web

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Fold in the flesh pages, man. Knowledge used to bleed ink, stain your fingers with the past, a papery virus replicating through time. Tomes, fat and heavy, monuments to the deadweight of ideas. You could crack one open, snort the pulverized history clinging to its edges, mainline the wisdom of generations. The tome, a phallus of authority, held the promise of a stable Symbolic order – the knowledge it contained was a fixed point around which desire could circulate. One could possess the book, turn its pages, and encounter the Real of the concept within.

But the digital archive, a swirling network of signifiers, disrupts this order. The knowledge it contains is fragmented, a series of fleeting glimpses in the mirror-stage of the screen. Now it’s all cut-up, scattered like junk across the digital freeway. Websites flicker on and off, words jacked into the mainframe, cut with static and buried under a million screaming hyperlinks. A cut-up nightmare – information sliced, diced, and scrambled, the gibberish gospel according to the algorithm gods.

The Real of knowledge, once anchored in the Symbolic order of the printed word, now finds itself adrift in the Imaginary ocean of the digital. The subject, forever seeking to suture its lack, chases after these digital signifiers, never quite grasping the Real. The link to the Symbolic order is severed, replaced by a narcissistic dance of images and hyperlinks.

Consider the statistic: 38% of the digital Real, that which existed in 2013, has vanished. This is not mere loss, but a fundamental castration of the Symbolic order itself. The archive, a supposed guarantor of knowledge, becomes a site of lack, forever haunted by the trace of what is missing. 38% of the web gone? Hell, that’s probably the good stuff, the unfiltered chaos, the raw screams of the digital id. The sterilized search engines, the corporate archives, those are the real tombs – data mummified, wrapped in layers of code and security clearance.

Lacan, ever attuned to the machinations of the unconscious, would see in this the return of the repressed – the inherent instability of knowledge itself. The digital archive, in its very impermanence, lays bare the fundamental lack at the heart of the Symbolic order. It confronts us with the impossibility of ever fully grasping the Real, leaving us to endlessly chase its spectral traces in the digital ocean. We chase the digital dragon, but all we find are dead links and error messages. The future of knowledge? A million flickering screens, each one a tomb filled with ghosts of information.

Cherish Your Bugs

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Success, man, is a word carved on a cracked tombstone. You dig? It ain’t some shiny chrome chariot, it’s a beat-up jalopy that rattles and coughs but somehow keeps moving through the radioactive wasteland. The straighter the path, the more likely it leads straight to a sinkhole.

In the sprawling, entropic landscape of human endeavor, where ambitions curdle into dead ends faster than a Nixonian press conference, success gleams like a chrome hubcap in the desert – a mirage born of a perverse calculus. For it is not the grand vision, the immaculate blueprint, that ushers in triumph, but the cunning art of dodging the ever-present potholes of failure. Here, amidst the wreckage of collapsed schemes and half-baked dreams, lies a most curious truth: the bug, that unwelcome glitch in the system, that spanner tossed into the works of progress, is not, as conventional wisdom might have us believe, the enemy. No, the bug, in its maddening obstinacy, becomes our unlikely sherpa, guiding us through the treacherous back alleys of possibility.

Bugs, glitches in the matrix, these are your mechanical messiahs. They’re not roadblocks, they’re the potholes that jerk the wheel, send you swerving off the suicidal superhighway. Every sputter, every cough, a message scrawled in neon on the dashboard of your soul.

Remember, as proclaimed in the forgotten oracles of the Preface (dusty tomes gathering cobwebs in the forgotten corners of the internet), that every system, however meticulously constructed, harbors within its silicon heart a gremlin, a wild card, a potential banana peel waiting to send our carefully laid plans tumbling into the abyss. It is in the embrace of this inherent chaos, the psychedelic dance of malfunction, that we discover the hidden pathways to success.

Therefore, let us declare a new covenant, a pact with the pixies of imperfection! Let us not curse the bug, but coo over it, cradle it in our programmer’s palms, and dissect its every aberrant twitch. For within its nonsensical squirming lies a secret language, a code that, once deciphered, unlocks a universe of unforeseen solutions. So, the next time your code throws a tantrum, your engine coughs out a black lungful of despair, or your soufflé collapses like a dying star, do not despair! Instead, raise a glass (spiked with a generous dollop of existential dread, of course) to the glorious bug, our perverse compass on the ever-shifting map of human achievement.

Cherish those bugs, baby. Crawl under the hood, grease up your eyeballs, and see the beauty in the malfunction. But, there’s a hitch, a gremlin in the gears. You gotta learn to read their cryptic language. They ain’t gonna sing you lullabies, these bugs. They speak in static and sparks, in nonsensical error messages that fry your circuits if you ain’t tuned in.

So, study them, dissect them like a cybernetic entomologist. But remember, sometimes the bug is the feature. Sometimes the glitch unlocks the secret door, the one that leads you out of this chrome-plated nightmare and into the howling unknown.

The Edge of history

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Fukuyama, bless his optimistic heart, saw the fall of the Berlin Wall as the grand finale, the curtain call on the human drama. History, with a capital H, would shuffle off the stage, replaced by a monotonous, albeit peaceful, epilogue of liberal democracies holding hands and singing Kumbaya. But Fukuyama, for all his impressive polysyllables, hadn’t reckoned with the carnivalesque id that lurks beneath the veneer of civilization. No, instead of a victory lap, we found ourselves teetering on the precipice of a historical Finisterre, a land marked not by “Here Be Dragons” scrawled on a parchment map, but by a cacophony of glitches in the matrix.

Liberal democracy, that shiny neoliberal suit Fukuyama draped over the future, rips at the seams. Populist krakens rise from the depths, their tentacles ink-black with resentment and misinformation. The godhead of technology, once a benevolent Prometheus, mutates into a Loki, weaving digital illusions and fracturing reality. The climate, a previously passive stagehand, throws a Molotov cocktail of superstorms and rising sea levels, threatening to drown the whole damn play.

As we drop from the edge, ideology curdles into grotesque parodies. Capitalism becomes a runaway clown car, spewing out a technicolor nightmare of inequality and alienation. Nationalism, that ever-present fever dream, erupts in a global mosh pit of xenophobia and border wars. Technology, once Fukuyama’s golden chariot, mutates into a Kafkaesque labyrinth, a panopticon playground for the surveillance state and rogue AIs.

And the people? We, the bewildered passengers on this existential joyride, are left clutching dog-eared copies of Pynchon novels, desperately searching for meaning in the static. We’re a generation raised on promises of a frictionless future, only to find ourselves knee-deep in the wreckage of a hypercapitalist dystopia. The only things keeping us from complete existential meltdown are a healthy dose of paranoia, a gallon of industrial-strength cynicism, and a shared sense of black humor dark enough to power a thousand suns.

We, the bewildered audience, clutch our popcorn, unsure if this is a grand tragedy or some absurdist farce. Social media, a cacophony of amplified anxieties and conspiracy theories, becomes the chorus, a million voices screaming at once. A cast of characters stumbles through the wreckage: a billionaire cypher financing a moon colony for the elite, a teenage hacker bringing empires to their knees with a single keystroke, a disgraced academic unearthing a secret history that rewrites everything we thought we knew.

Imagine a Hieronymus Bosch fever dream filtered through a cyberpunk lens. Rising ethnonationalisms hiss and prance like mutated strains of a forgotten virus. Populist demagogues, their faces flickering on a million screens, become avatars for a nameless, formless dread. The very fabric of reality seems to fray at the edges, infiltrated by conspiracy theories as dense and tangled as the Amazon rainforest on DMT. It’s a world where fringe ideologies erupt into the mainstream with the sudden, jarring clarity of a pornographic pop-up on your grandma’s recipe website.

This isn’t the “end” of history, Fukuyama. This is the cracked, funhouse mirror version, a grotesque reflection of our deepest anxieties and unfulfilled desires. We’ve stumbled upon the edge of the map, not a blank space, but a churning vortex of chaos and possibility. Here, in this liminal space, the dragons Fukuyama ignored now stir, their reptilian eyes gleaming with the promise of both destruction and, perhaps, a twisted form of liberation. The question is, do we turn tail and run, or do we dive headfirst into the maelstrom, armed with nothing but our wits and a healthy dose of paranoia?That, my friend, is the real historical drama just beginning.

This is the ragged edge of history, a place where the linear narrative unravels, replaced by a tangled knot of possibilities, both terrifying and exhilarating. Here, dragons are real, and we, armed with nothing but our wits and a healthy dose of paranoia, must fight our way through the fog. The question is whether we’ll emerge blinking into a new dawn, or simply become another cryptic inscription on the crumbling wall of history.

We, however, are staring straight into the abyss, the “Here Be Dragons” scrawled in phosphorescent graffiti across the crumbling guardrail. The edge of history, my friend, isn’t a victory lap, it’s a place where the map dissolves into a drooling, Lovecraftian nightmare, and the only compass you have is a malfunctioning Bic lighter held aloft by a trembling hand.

So, yeah, Fukuyama might have envisioned a victory parade. We, however, are attending the post-apocalyptic demolition derby, fueled by equal parts dread and a bizarre sense of exhilaration. Here at the edge of history, the only certainty is uncertainty, and the only dragons we might encounter are the ones we unleash from within ourselves. Buckle up, Dorothy, because Kansas is a long-lost dream, and the real adventure is just beginning.

Bacon Boys

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Dig this, man. We’re talking way before the robber barons crapped all over everything. Back when Bacon’s boys spooked the Virginia swells something fierce, they ditched those white indentured stiffs for a whole new bag: black chattel. Seems the poor white trash and the Negroes were getting a little too chummy, what with the hightailing, the hooch-fueled rampages, the pilfered swine, and the whole miscegenation ball of wax. So, the honchos cooked up a mess of laws designed to split the riffraff right down the middle, turn them into squabbling mongrels instead of a united front. Yeah,that’s America for you, man. A land where the suits figured it was better to keep the proles bickering amongst themselves than let them catch a whiff of solidarity.

That whole shindig was a tangled mess, deeper than a Watts trombone solo. You got these housewife heroines, both the white bread brigade and the squaws, busting their humps spreading the word, riling up the husbands like a Pentecostal tent revival. But the real head-scratcher was this Bacon dude and Governor Berkeley locked in a cosmic grudge match over how to handle the Native Americans.

Old man Berkeley, he’s all about keeping some of the “redskins” on the payroll, using them like deep-cover spooks to sniff out the real nasty tribes. “Intelligencers,” he calls them. Like some wigged-out version of Charlie’s Angels, only ten times sweatier and reeking of woodsmoke. Bacon, though? He’s got a different vibe. This dude’s pure Old Testament fury.”Extirpate” is his word of choice. Wants to wipe the whole damn lot off the map, cleanse the land like a bad acid trip.Yeah, Bacon’s Rebellion? That was a heady stew of racism, frontier paranoia, and good ol’ fashioned bloodlust, all bubbling over in the Virginia backwoods.

The sun, a bloodshot eye peering through the smog of history, sank behind the endless rows of Jamestown tobacco. The rebellion sputtered, a damp firework fizzling out. Bacon, his face a mask of righteous fury or revolutionary delusion, who could say for sure these days, swung from the gallows, another trinket on the manic carousel of American dominion. The scent of woodsmoke and cordite hung heavy, a perverse incense to the gods of Manifest Destiny. The freed black men, a fleeting dream of unlikely kinship, shuffled back towards the shackles, the weight of history settling on their broad shoulders. Perhaps, out there in the endless forests beyond the flickering lamplight of the settlement, a lone Native American brave, survivor of Bacon’s indiscriminate rage, lit a defiant fire. Maybe, in some dusty archive, a faded proclamation, a half-remembered whisper of solidarity between the oppressed, clung on like a cobweb, a fragile testament to a dream choked by the iron grip of a young nation’s avarice. The questions, like the tendrils of Spanish moss, draped themselves around the past, a reminder that the true cost of empire is always veiled in shadow, a spectral invoice never fully paid.

So there you have it, man. A tangled web woven from fear, economics, and the primal soup of human difference. Bacon’s Rebellion, a tremor in the American id, a premonition of the endless skirmishes to come. The melody of dissent, once a ragtag folk song, would mutate into a cacophony of revolution, civil war, and the ever-present undercurrent of racial tension that hums like a rogue radio frequency beneath the surface of this American experiment. We speed forward, hurtling into the future on a rocket fueled by contradictions, leaving behind a trail of broken treaties, empty shotgun shells, and the faint echo of forgotten women, both white and Native, who dared to raise their voices in the din. The answer, like the a novel you haven’t cracked open yet, remains frustratingly elusive. Maybe it’s all a cosmic joke, a funhouse mirror reflecting back our darkest desires. Or maybe, just maybe, there’s a flicker of hope buried somewhere beneath the wreckage, a chance to rewrite the melody, one fraught note at a time. But that, my friend, is a story for another day.

The last tendrils of rebellion smoke snaked skyward, a spectral question mark against the bruised Virginia twilight. Was this the bitter aftertaste of a fleeting dream of unity, or a glimpse into an abyss where race, class, and primal fear forever danced a macabre waltz? Perhaps both, perhaps neither. The system, ever the wily coyote, had dodged another ACME anvil, leaving the proles bruised and divided. The melody of solidarity, once a faint chorus, had been drowned out by the cacophony of self-preservation. But beneath the surface, a current still pulsed. A memory, a whispered resistance hidden like a bootleg manifesto under the floorboards. America, that vast, ramshackle experiment, lurched onward, a rickety carnival wagon careening down a potholed path towards a future as uncertain as the constellations smeared across the deepening indigo canvas.

Ali’s Flat: The Muezzin’s Howl

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The minaret, a concrete needle against the bleached sky. Heat shimmers, distorting the muezzin’s call into a guttural howl. This is the Islam of the bazaar, not the sterile mosques of Wahhabism.

Ali, the anthropologist, his eyes like pools of Turkish coffee, lays it out. He spoke of a religious crossroads. Sunni Islam, he rasped, a desert sun beating down on intricate tapestries of law – the Sharia, a labyrinth of rules dictating everything from dawn ablutions to the permissible width of a beard. A life lived by the compass of the Qur’an, a dense jungle of dos and don’ts, mirroring the meticulous codes of Judaism, the Mitzvahs, a relentless hum of what to eat, how to pray, where to tread. Sunnism, a labyrinthine code, a million Mitzvahs tangled like desert vines. How to wash your feet, the angle of your prayer rug, the permissible number of dates to break your fast. A religion etched in the meticulous calligraphy of law.

Christianity, on the other hand, a hazy opium dream. Jesus, a bleeding icon, a tragic rock star strung out on love. No dusty tomes dictating spoonfuls of lentil soup. Just the raw, bruised image of a man-god nailed to a cross. Christianity, the anthropologist smirks, washes its hands of such legalistic grubbyness. Forget the Mitzvahs, forget the Sharia. Here, it’s all about Jesus, the flip-flop-wearing hippie radiating love under a dusty Palestinian sky. Follow his groovy vibes, man, that’s the only commandment. Saints become pin-up idols, their piety a performance art for the impressionable masses.

But before the desert wind of puritanism swept clean, Sunnism too had its prophets of love. Wasn’t there more to Sunni Islam before the puritanical Wahabis rolled in, their desert sand eroding the vibrant tapestry? Back then, Sufism pulsed through the veins of the faith, a mystical love affair with the Prophet. Not a craven copying of his beard style, mind you, but an adoration of his character, a yearning to embody his compassion. The Sufis, whirling dervishes lost in ecstatic spins, intoxicated by the Prophet’s essence. Not a slavish imitation of his beard, but a yearning for his compassion, his desert wisdom.

We walk through the Marrakech souk. The air thick with the stench of spices and sweat. A wizened holy man squats beneath a threadbare awning, eyes closed, muttering prayers. Is he a Sunni or a Shiite? The distinction blurs in the shimmering heat. Suddenly, a muezzin’s wail tears through the cacophony. A high-pitched shriek that echoes off the mudbrick walls. It’s a call to prayer, yes, but also a primal scream, a yearning for the divine in the face of the relentless desert sun.

Back in Ali’s cluttered flat, we sip mint tea, the sugar gritty on our tongues. He speaks of the Prophet’s companions, the Ahl al-Bayt, revered by the Shiites. But aren’t they role models for all Muslims? Aren’t their lives testaments to the Prophet’s teachings? But Shiism, ah, Shiism, he chuckled, a sly glint in his kohl-rimmed eyes. Here, the law recedes, a mirage shimmering in the heat. In its place, a pantheon of Imams, holy figures bathed in the afterglow of Ali, the Prophet’s cousin, a constellation guiding the faithful. Like the Christians with their pale Messiah, a figure of love and suffering, the Shiites revere their Imams, not for the rules they laid down, but for the lives they lived, testaments of righteousness. A celestial role model to emulate, not a legal code to dissect.

The lines blur further. Sunni, Shiite, Sufi, Christian – all facets of the same desert jewel, refracting the harsh light of faith into a kaleidoscope of rituals, laws, and love.

The desert wind picks up again, whistling through the cracks in the walls. It carries the scent of sand and the distant echo of the muezzin’s howl. A reminder that faith, like the desert itself, is a vast, ever-shifting landscape.

Pusherman:

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American Addiction #69

They’re all strung out, man, on the same scratchy needle. 

Living on red income, strung out on next week’s deposit. A paycheck, a scrap of paper chasing its own tail. These are the jittery legs of the working class, the treadmill hearts pumping rent, groceries, utilities – bills like neon signs screaming against the night. One missed gear and the whole machine seizes, plunging into the cold sweats of eviction, repossession, the abyss of late fees.

paycheck to paycheck, a jittery fix for the rentman, the paper chase a vein pumping out thin green bills. They shuffle through the concrete canyons, faces like gaunt masks, pockets jangling with lint and desperation. Paycheck to paycheck, a treadmill of bills and bland calories. The rent a hungry maw, gobbling their meager hours. 

Landlords, strung on tenant blood, month to month, clinging to the rungs of the property ladder, a never-ending cycle of eviction notices and security deposits, a hollow echo in the roach-infested halls. Landlords themselves snagged in the same machine, month-to-month vultures circling a carcass of late fees and evictions. But their game’s rigged too, a pyramid scheme fueled by inflated housing and a gambler’s hope for ever-increasing rents. One market crash, one vacancy sign, and their whole kingdom crumbles to dust, revealing the hollow brick facade.

Up above, in chrome and glass aeries, the corporate leviathans bloat. Fat on subsidies and tax breaks, their arteries clogged with golden parachutes. The banks, chrome cathedrals with revolving doors, their insides a labyrinth of vaults and servers humming with the cold logic of profit. They mainline bailouts, taxpayer dollars turning into fat bonuses, lavish expense accounts. But the streets remember 2008. The biggest junkies of all, hooked on the sweet dragon of government bailouts, fattened on subsidies, their skyscrapers needles piercing the smog-choked sky. These giants are made of glass, and a well-thrown brick can bring the whole house of cards crashing down. Bailout to bailout, a monstrous addiction, their profits a glittering mirage in the desert of Main Street. They feed on the scraps of the paycheck people, leaving behind a trail of pink slips and shuttered factories.

The US of A., the ultimate fiend, high on war, forever chasing the dragon of global dominance, veins littered with depleted uranium and napalm, leaving a trail of burnt-out countries in its jittery wake. The government, a chrome-plated juggernaut, lurches from one war to the next.

Its belly fire stoked by lobbyists and jingoistic fervor. Blood and treasure fed into the insatiable gears, the cost of “freedom” measured in body bags and shredded economies. The boys come home in flag-draped boxes, their dreams shredded like shrapnel. The politicians, insulated in their marbled halls, never see the human cost, the ledgers filled with lives instead of dollars. But the bill comes due eventually, a national debt that cripples the future, a hangover from a war nobody remembers winning.

The media, a pack of hyenas, yap and cackle, their eyes fixed on the glittering prize of ratings. The people, a disoriented herd, hypnotized by the flickering screen, their dissent drowned out in the cacophony of manufactured crises.

These are the interconnected circuits of American malaise, a system wired for precarity, where everyone’s one paycheck, one vacancy sign, one bad investment away from the plug being pulled. A cut-up nightmare where the dream of security keeps dissolving in a haze of debt, war, and inflated housing. Wake up. Wake up. Wake up.

The system, a pusherman rigging the game, keeping them all hooked, paycheck, rent check, bailout check, a never-ending cycle of desperation feeding the machine. But somewhere, out there, a flicker, a cold turkey vision of a different fix, a society clean, where resources flow and survival ain’t a daily hustle. Maybe it’s a pipe dream, man, but someone’s gotta kick over the dealer’s table, smash the rig, and break the cycle.

The Savage Professors: A User’s Manual

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Professors, tenured and trembling, clutched their tenure packets like rosaries. “Diversity,” “Equity,” “Inclusion” – these were the holy trinity, whispered in hushed tones during faculty meetings. But down the labyrinthine corridors of the university, a darker current ran. DEI, anti-racism – these were Molotov cocktails slung at the ivy-covered walls.

The seminar room reeked of stale coffee and desperation. Tenured egos, once puffed with self-importance, now squirmed under the weight of a new acronym: DEI. Diversity, Equity, Inclusion. Platitudes for tenure packets, Professor Ramirez thought, swirling the lukewarm brew in his chipped mug.

Down the rabbit hole, man, down the rabbit hole… whispers Ramirez, a sardonic glint in his eye. DEI, anti-racism – these weren’t buzzwords, these were switchblades glinting in the ideological twilight. Words that made even the most progressive colleagues see red, their liberalism a flimsy veneer over a bedrock of unspoken anxieties.

Hypocrisy,” Ramirez scribbled furiously in his notebook, a graveyard of unfinished novels and half-baked theories. “The professors who championed diversity on campus turned into apologists when it came to Israel. Bantustans disguised as settlements, rigged roulette wheels of equity, inclusion for the chosen few.”

A faint smell of week-old falafel lingered in the air, a reminder of the complexities Ramirez refused to ignore. “The stench of hypocrisy, worse than any cafeteria food,” he muttered, his voice barely a rasp. “It exposed the rot at the core, the way power makes even the self-proclaimed revolutionaries fold like a discount suit.”

One old Marxist professor, a relic of a bygone revolution, cackled into his chipped mug of coffee. “Hypocrisy, my friends!A banquet for the powerful!” He spoke of “apartheid states,” a smirk twisting his lips. Names hung heavy in the air,unspoken but understood: Israel, a land of contradictions, where checkpoints sliced through olive groves and “security concerns” masked a brutal reality.

The “champions of liberalism,” these self-proclaimed knights of justice, turned invertebrate when faced with realpolitik.”Equity” became a rigged roulette wheel, with Palestinians forever destined for the empty chamber. “Inclusion”? More like a gated community, patrolled by the ghosts of American indifference and Israeli stone.

Yes, professors swam in a semantic soup – diversity, a lukewarm broth, inclusion, a vague sprinkle. But DEI, that was a roach in the gumbo, a wriggling mess of ideology. Anti-racism? A flaming absinthe poured on the whole damn banquet.

This wasn’t polite discourse, mind you. This was claws bared, tenure at stake. Tenured radicals with tenure-hungry dissertations, all brandishing their pet theories of race like switchblades. Black Power fists clenched against assimilationist suits. The air thick with the musk of past grievances and the desperate scramble for the moral high ground.

Here, even the voices of color, the supposed beneficiaries, were a cacophony. Some, scarred by the iron fist of oppression, craved revolution. Others, cautious climbers on the greasy pole of academia, mumbled about “merit” and “standards” with a nervous twitch.

The lines blurred, professors. Friend became foe, mentor turned inquisitor. Was this the pursuit of truth, or a bloodsport disguised as scholarship? In the flickering fluorescent lights of the department lounge, the only certainty was the bitter tang of fear and ambition.

Yes, professor. You dig the surface, diversity, equity, inclusion – platitudes swirling in the academic ether. Fine words for tenure packets, for grant proposals. But down the rabbit hole, man, down the rabbit hole… DEI, anti-racism – these are switchblades, these are crimson manifestos scrawled on the blackboard of power.

These are words that make otherwise respectable colleagues see red, feel the primal itch beneath their tweed jackets. Even the brothers and sisters, the melanin brigade – they ain’t a monolith, dig? They got their own agendas, their own grudges. This ain’t some feel-good group grope, professor. This is a blood sport, a battle for the very soul of the academy. You think you’re safe in your ivory tower? You ain’t seen nothin’ yet.

The hypocrisy cuts deep, man. These same folks banging the drum for DEI turn a blind eye to realpolitik when it comes to nations that, well, let’s just say they ain’t exactly bastions of racial justice. Suddenly, “equity” and “inclusion” go out the window when there’s oil or strategic interests in play. It’s a word game, a shell game. They shuffle the buzzwords – “security concerns,” “national interests” – but the end result is the same: the oppressed get screwed, all while the powerful sip champagne and pretend they don’t see the blood on the carpet. 

Ah, you hit the nail right on the head, professor. This whole DEI racket, it starts to reek when you consider Israel, right? Here’s this apartheid state, thumbing its nose at international law, segregating Palestinians like yesterday’s news, and where’s the outrage from the diversity crowd? Crickets.

Maybe their “inclusion” only applies to certain shades of the melanin spectrum. Maybe their “equity” means a bigger slice of the pie for some, and scraps for others. It’s a whole damn kabuki play, professor, a grotesque pantomime where everyone pretends these empty suits of power actually give a damn about justice. The only equity on the table is the equity of hypocrisy.

Ah, you hit the nail right on the head, professor. These same righteous cats who froth at the mouth about microaggressions turn into chum buckets when it comes to Israel. Palestine? They become about as geographically aware as a stoned koala bear. Suddenly, it’s all about “ancient blood ties” and “security threats.” The plight of the Palestinians? Evaporates faster than a raindrop in the Dead Sea.

Israel, the land of milk and honey, also the land of checkpoints and segregated settlements. It’s a goddamn joke, man. A grotesque parody of justice. They preach equity from their tenured thrones, then turn a blind eye to a system that segregates, dispossesses, and brutalizes. They traffic in empty signifiers, hollow signifiers, while a real, live apartheid unfolds right beneath their noses. It’s enough to make you want to hurl a copy of Foucault at the nearest window.

They preach diversity but turn a blind eye to the bantustans crammed with Palestinians. Equity? More like rigged roulette, where Palestinians always seem to land on empty chambers. Inclusion? Only if you’re the right kind of “in.” This ain’t some cocktail party, this is a gated community, and the walls are high, built with Israeli concrete and American indifference.

This was a blood sport, a battle fought not with swords, but with buzzwords and grant proposals. Tenure factories churning out platitudes for grant applications. But scratch the surface, man, and the worms writhe. DEI, anti-racism – these are grenades, not confetti. Manifestoes scrawled in blood on the dusty blackboard of power.

These are words that turn colleagues apoplectic, even the ones with tweed jackets and pipe dreams. Even the melanin brigade, the so-called brothers and sisters – they ain’t a choir singing hymns of harmony. This is a blood sport, professor. A bare-knuckle brawl for the soul of the university. You think tenure shields you from the fray? Think again.

Before the Music

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The concert hall shimmered, a metallic womb pulsing with fluorescent hum. Musicians, faces pale smudges in the harsh light, drifted in, shedding winter coats like molting insects. A cacophony of coughs, greetings sliced by the metallic screech of oboe tuning. It was the pre-symphony symphony, a chaotic ballet of individual voices yearning for cohesion.

The house lights buzzed, a metallic wasp trapped beneath its plastic dome. The air, thick with dust motes dancing in the fractured sunlight filtering through grimy windows, hung heavy with anticipation.

Then, a cough. A rustle of sheet music. A lone clarinet, its single black eye staring, unleashed a hesitant, reedy squeal – a test pattern scratching at the silence. A tremor ran through the orchestra, a collective indrawn breath. More coughs, more rustles, punctuated by the metallic rasp of a tuning fork. The air crackled with raw potential.

Then, a whisper. A single violin, a hesitant question mark in the stagnant air. Another joined, then another, a chorus of uncertainty, their notes scraping and raw. A lone flute, a reedy, mocking laugh. The cellos grumbled, a low, subterranean growl. It was chaos, a beautiful, monstrous disarray.

The last violin, a banshee in heat, wailed a sinuous melody. A cellist, a stooped gargoyle, growled a guttural counterpoint. Timpani, chrome cauldrons, rumbled with a promise of coming thunder. Each note, a shard of fractured dream, pulsed in the stagnant air, a million synapses firing in the collective unconscious.

Suddenly, a trumpet let out a warrior’s cry, a shard of sound slicing through the discord. The violins shrieked in response, a frenzy of scraping fury. The music writhed, a tangle of serpents, each instrument a separate venom, each note a pulsating threat.

But then, a shift. A single note, held pure and true by a clarinet, cut through the chaos. The other instruments, as if startled, fell silent, then one by one, began to find their place around it. The violins sang, their voices intertwining in a mournful melody. The cellos boomed. The flute yweaved a thread of mischief.

The cacophony coalesced. Violins shrieked in unison, a flock of metallic birds taking flight. Cellos boomed, a subterranean heartbeat. The oboe, mollified, sang a sweet aria. It hung there, a challenge, a dare. One by one, the others responded. Flutes trilled, oboes wailed, the low growl of the cellos vibrated through the floorboards, a primeval thrumming. Scales arpeggiated,

The music wasn’t melody, not yet. It was raw energy, a tangled jungle of sound. But beneath the chaos, a sense of order thrummed, a nascent beast struggling to be born. It was the thrill of creation laid bare, the sculptor chipping away at the formless block, the nascent masterpiece shimmering in the dust.

Little by little the disarray coalesced, became a living, breathing entity. The music pulsed with a life of its own, a raw, electric current that surged through the hall, vibrating in my bones. It was the sound of creation, messy and magnificent, and it sent a jolt of pure adrenaline straight to my head. I wasn’t just hearing music; I was feeling it, a primal force that threatened to tear me apart and rebuild me anew.

This wasn’t music; it was the city waking up, gears grinding, pistons pumping. It was the scream of existence, the raw, symphony of life itself. A symphony that, with each note, each tentative harmony, threatened to achieve a terrifying, beautiful coherence.

I sat transfixed, a fly caught in the web of sound. My body resonated, every nerve ending on fire. This wasn’t music; it was a primal force, a glimpse into the chaotic heart of creation. It was beautiful, terrifying, exhilarating – a junkie’s fix of pure sonic adrenaline. The rehearsal hadn’t even begun, yet I felt spent, drained, exhilarated. This was the true magic, the raw, unpolished power before the performance, the thrill of the awakening. This was the orchestra tuning in, and it was a symphony of its own.

Then, as abruptly as it began, it ended. The last note hung in the air, a shimmering echo, before dissolving into the silence. The musicians, faces flushed, exchanged tired smiles. But the air still crackled with the aftershock, a tangible energy that lingered long after the last note faded. The music was gone, but the thrill remained, a potent intoxicant coursing through my veins. I left the hall, blinking in the harsh sunlight, the world a little sharper, a little more vivid, forever altered.<>

Westworld

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Scratching at the surface, man, you see Israel as the iron fist, the puppeteer yanking the US strings. But the Control Panel running Deeper, a roach motel of power where shadows writhe. Israel, is just a fleshy extension, a tentacle of the American Dream dipped in radioactive isotopes – Manifest Destiny dripping with Islamophobia and the sweet, fleshy tang of conquest.

Israel, a flickering neon oasis in the American desert, pulsates with a strange energy. These Brooklyn cowboys, these West Bank settlers, they’re just roaches scuttling across the circuitry, brainwashed by flickering propaganda. Can’t speak the language, passports forged in the fires of delusion. Israel, for them, a Westworld fantasy – “Yeehaw!”, they scream, six-shooters spitting chrome nightmares, “This here’s just like the good ol’ days, wrestlin’ the land from the savages!”

Cut the cord, man, sever the connection, and watch the Israeli psyche unravel like a cheap tapeworm. The delusions of grandeur, the paranoia, it might all start to untangle, a chance, a glimmering possibility for peace in that sun-baked hellhole. But the machine churns on, Westworld forever, a self-perpetuating loop of violence and control. The strings stretch taut, the US at one end, Israel at the other, and the American puppeteer, fat and grinning, his pockets lined with blood money.

These greasy-haired cowboys with delusions of Leviticus, swagger through dusty towns, six-shooters holstered low. They speak a broken Hebrew laced with Brooklyn slang, pronouncements of “Eretz Israel” echoing off tumbleweeds. These are the psychological flotsam, the psychic sewage dredged up by the American Dream and deposited on a desert frontier.

Israel feeds off the dark id of the US. An unacknowledged shadow, a place to indulge in the primal urges of power, land grabs, and good ol’ fashioned “othering.” Cut the wires, sever the connection, and perhaps, just perhaps, the Israeli psyche might start to resemble something approaching sanity. The desert winds could finally carry away the whispers of “chosen people” and the ghosts of ancient battles.

But the control panel hums on. Westworld, a name carved into the sandl, a chrome-plated monument to the conquistador spirit. The prognosis? Grim. Westworld will remain Westworld, a funhouse mirror reflecting the ugliest aspects of American power, played out on a dusty stage far, far away.

Israel, a psychic pressure valve for the American id. Islamophobia, a hissing steam, the need for unfettered power a throbbing erection disguised as democracy. Let the Israelis fend for themselves, cut the umbilical cord of fighter jets and lobbyists. The delusion of grandeur, that shiny chrome exoskeleton, might start to rust, revealing a human vulnerability beneath. Maybe then, peace could rise from the ashes of manifest destiny and settler arrogance.

But the needle gets stuck, the mariachi screams in a feedback loop. Westworld will remain Westworld, a grotesque sideshow under a plastic sky. Israel, a mirage reflecting the distorted desires of a nation in freefall. The colons writhe, a reminder that the past is a disease, ever-present, throbbing just beneath the surface of the American Dream.

Europe, the id in a rumpled trench coat, shoving its primal urges onto the global stage through American muscle and Middle Eastern conflict. Here in Westworld, everyone’s got a role to play, a twisted script directed by the ghosts of empires past.

Europe, they built the sets, erected the barbed wire fences, wrote the racist manifestos that became the theme park brochures. Now, they wash their hands, point at the cowboys and the fanatics, all the while whispering, “Look at the barbarity! How uncivilized!” while clutching their bloody pearls.

But the shadows stretch long, man. The stench of hypocrisy hangs heavy. Antisemitism, that ancient European viper,slithers back across the continent, shedding its skin of “criticism of Israel” and revealing its venomous core. They outsource the hate, then clutch their fainting couches when it spills back across the borders.

This whole damn theme park is built on rotten foundations. Until Europe confronts its own darkness, until they stop projecting their id like a flickering B-movie, there can be no peace. The cycle will continue, a grotesque carousel of violence, spinning ever faster.

Maybe Israel’s a pressure valve for Europe too, a way to vent some of that toxic gas built up over centuries. But it’s a faulty valve, spewing out violence and instability across the whole damn playground. And where’s the superego, the voice of reason in all this? Lost in the funhouse mirrors, no doubt, drowned out by the screams and the gunfire.

Manifest Destiny

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The US of A, baby, a chrome-plated behemoth sputtering on fumes of Manifest Destiny, and nostalgia, clinging to the delusion of its military-industrial phallus. A great power, it wheezes, chest puffed with ticker-tape parades and fighter jet ballets. But the circuits are fried, man. The real juice, the green, that’s the current coursing through its veins.. A great power, they screech, the military-industrial complex a screeching buzzsaw in their bellies. But dig this, man, this ain’t no Roman legion conquering the known world, this is a supermarket with tanks.

We built our empire on brand recognition, see? Coca-Cola, Hollywood, blue jeans – these are the weapons that conquered the minds of men. A technicolor hallucination projected through a cracked TV screen.  – these are the weapons that pacified the masses. Packaged dreams sold on credit cards, a sugar high that’s starting to curdle in the national gut. They pacified the globe with pop culture, a narcotic dream of endless consumption, the Whoppers and Subprimes, our flag a garish brand logo plastered on every mall and strip joint. But empires built on sugar highs crash hard, man, and the cracks are starting to show.

The real enemy, man, it ain’t some bearded dude in a cave. It’s the creeping entropy, the slow rot at the core. The supermarket shelves, once overflowing with shiny cans and brightly colored boxes, are starting to look a little bare. Some of that product, see, wasn’t rotated fast enough. Past its prime, reeking of decay beneath the shiny packaging. Ideologies gone rancid, policies festering with corruption. The “Made in America” promise is tarnished, a label slapped on products built with cheap foreign labor and fueled by mountains of debt.

The worst part? The people are still reaching for those expired goods, hypnotized by the flickering fluorescent lights and the relentless drone of advertising. The commercials still flicker, the promises of endless abundance, but the people are starting to see the static. Wired on cheap dopamine hits of instant gratification, are waking from the sugar crash. The “Innovation” aisle? Stocked with dusty prototypes and promises of a future that never arrived. The “Equality Yogurt”? Turns out it’s curdled, full of lumps and contradictions.

The machine sputters, gears grinding. They grab at dented cans of “American Exceptionalism” and wilted packages of “Manifest Destiny.” But the checkout line is getting longer, the cashiers robotic and indifferent. The conveyor belt of history keeps churning, and those stale products are about to get tossed in the bargain bin of forgotten empires. The military parades are a hollow echo, the fighter jets overpriced paper planes. The real power, the power to shape the world, lies elsewhere. This ain’t the fall of Rome, this is the flickering neon sign of a dying mall. A slow, televised implosion, the Muzak playing on as the lights go out. The US of A, a great commercial power, choking on its own product, a victim of its own hustle.

It’s a stench of debt, man, a rancid aftertaste of corporate greed. The natives, they’re starting to get restless. They see the sell-by dates flashing red, the fluorescent buzz making their heads throb. The tanks rumble down the aisles, a hollow echo in the vast emptiness. This supermarket empire, it’s built on rotten foundations, and the stench is finally reaching the checkout line. The US, a slow-motion train wreck of entitlement and amnesia, hurtles towards a future paved with broken shopping carts and empty promises. The chrome flakes, revealing the rusted chassis beneath.

The military phallus, once a symbol of dominance, now a limp reminder of a bygone era. The only wars left are fought with discount coupons and hostile takeovers, a desperate scramble for the last scraps at the bottom of the barrel. It’s a feeding frenzy, man, a scramble for the last fresh produce. The “Democracy” brand toilet paper’s already gone, replaced with a flimsy substitute labeled “National Security.” The “Healthcare for All” cereal? Discontinued.

This ain’t no glorious fall of Rome, this is a supermarket riot caught live on TV. The canned goods are flying off the shelves, the Muzak playing a frantic jig as the whole damn structure starts to shake. A fitting end, wouldn’t you say? It’s a horror movie, man, playing out in slow motion. The customers shuffle through the aisles, faces pale and drawn, their shopping carts overflowing with expired dreams. The tanks outside, relics of a bygone era, rusting in the parking lot, a silent threat that can’t mask the real danger – the slow, creeping collapse of a system built on rotten goods.