Category: MUSIC IN PHASE SPACE
-
The Wrong Room
This started as a Farcaster post. Halfway through writing it, I realized it didn’t really matter — not the ideas, but the channel. There’s something faintly ridiculous about posting a critique of abstraction layers onto yet another abstraction layer, as if the medium itself isn’t part of the problem. What exactly is the hoped-for outcome…
-
The Sincerity of the Artifice
Danse Macabre (2023) represents something increasingly rare among heritage acts — a late-career work that doesn’t merely revisit past glories but advances the band’s artistic identity While casual listeners might dismiss it as a Halloween novelty project, it stands as Duran Duran’s most cohesive, personal, and artistically successful album since Astronaut (2004)—and in several crucial…
-
The Age Of Compensations
An agnostic education in a catholic environment trains you to recognize a crucial distinction: the difference between the Real Presence and a symbolic gesture, between a sacrament and a simulation. It’s the discernment between bread that has been transubstantiated and bread that’s just… bread with exceptionally good marketing. This theological framework—with its vocabulary of immanence…
-
The Flow Wars
“A system that treats every component as a piece to be owned will crawl. A system that treats every component as a flow, to be shared, will run.” There was a time we told ourselves a comforting story: that while American politics might be messy and its culture divisive, its business psyche was a bastion…
-
Feudal Optimization
We often imagine the fall of Rome and the onset of the “Dark Ages” as a catastrophic failure of intelligence—a great forgetting, a descent into blissful ignorance where the poor dears simply couldn’t figure out how to keep the water flowing and the laws coherent. I talk about this a little in this post. Dark…
-
Mother Goose
I’ve been living in California since 2007. I used to come here before, and I always had this feeling that it’s like people come here because of an album. Some people came for Crosby, Stills & Nash. Some people came for Hotel California. Some people came for Linda Ronstadt, some for The Grateful Dead. I’m…
-
Dark Ages
The “good old days” fallacy assumes that the past is always better. That’s not what I mean. For every Sgt. Pepper squeezed out of a four-track, there were mountains of forgettable slop pressed on the same machines. The real point is that history isn’t a steady line of progress. A medieval town might not have…
-
Four Track Fascism
Using the word “fascism,” even ironically, is a high-risk, low-reward strategy. It is not a trivialization of historical evil but a precise metaphor for absolute, inflexible authority. The word “fascism” is used here with intentional, tongue-in-cheek irony. The four-track machine was the opposite of actual fascism—it was a constraint that enabled rather than oppressed; it…